Album Info
Artist: | Axiom Funk |
Album: | Funkcronomicon |
Released: | Netherlands, 2024 |
Tracklist:
A1 | Order Within The Universe | 3:17 |
Bass, Beats, Effects [Sound Efx] - Bill Laswell | ||
Organ [Hammond B-3] - Bernie Worrell | ||
Turntables - DXT | ||
Written-By - B. Worrell, B. Laswell, DXT | ||
A2 | Under The Influence (Jes Grew) | 5:45 |
Arranged By [Horns], Conductor [Horns] - Henry Threadgill | ||
Baritone Horn, Euphonium - Joe Daly | ||
Bass - Robbie Shakespeare | ||
Bassoon - Janet Grice | ||
Congas - Daniel Ponce | ||
Cowbell, Percussion - Aiyb Dieng | ||
Drum Programming - Sly Dunbar | ||
Drums - Anton Fier | ||
Piano - Herbie Hancock | ||
Tenor Saxophone, Flute - J.D. Parron | ||
Trumpet, Flugelhorn - Ted Daniel | ||
Tuba - Edwin Rodriguez | ||
Vocals - Michael "Clip" Payne, Deborah Barsha, Gary "Mudbone" Cooper, George Clinton, Zhana Saunders | ||
Vocals, Guitar - Bootsy Collins | ||
Written-By - B. Laswell, B. Collins, G. Clinton, R. Shakespeare, S. Dunbar | ||
A3 | If 6 Was 9 | 6:00 |
Bass [Space Bass], Lead Vocals - Bootsy Collins | ||
Guitar - Blackbyrd McKnight, Nicky Skopelitis | ||
Guitar [Backwards Guitar] - Robert Musso | ||
Guitar [Intro] - Buckethead | ||
Violin - Lili Haydn | ||
Written-By - Jimi Hendrix | ||
B1 | Orbitron Attack | 12:29 |
Bass [Space Bass] - Bootsy Collins | ||
Drums - Jerome "Bigfoot" Brailey | ||
Guitar - Eddie Hazel | ||
Organ [Hammond B-3] - Bernie Worrell | ||
Written-By - G. Cook | ||
B2 | Cosmic Slop | 5:15 |
Arranged By [Material Strings], Conductor [Material Strings] - B. Worrell | ||
Bass - Robbie Shakespeare | ||
Congas - Aiyb Dieng | ||
Drums - Sly Dunbar | ||
Guitar - Bootsy Collins, Michael Hampton | ||
Organ [Hammond B-3] - Bernie Worrell | ||
Synthesizer [Fairlight] - Nicky Skopelitis | ||
Vocals - Gary "Mudbone" Cooper | ||
Vocals, Guitar - Garry Shider | ||
Written-By - Bernie Worrell, G. Clinton | ||
C1 | Free-Bass (Godzillatron Cush) | 5:43 |
Bass [Free-bass] - Zillatron | ||
Guitar [Stun Guitar] - Menace (The Dawg Of The C) | ||
Written-By - B. Laswell, B. Collins, D. Weeden | ||
C2 | Tell The World | 3:53 |
Performer [Other Music] - Bootsy Collins | ||
Vocals - Bobby Byrd, Godmoma, Maceo Parker | ||
Voice, Keyboards - Sly Stone | ||
Written-By - B. Collins, M. Parker, S. Stewart | ||
C3 | Pray My Soul | 5:08 |
Guitar - Eddie Hazel | ||
Organ [Hammond B-3] - Bernie Worrell | ||
Written-By - G. Cook | ||
D1 | Hideous Mutant Freekz | 7:25 |
Bass [Space Bass], Guitar, Vocals - Bootsy Collins | ||
Guitar [Solo] - Buckethead | ||
Loops [Drum] - Anton Fier | ||
Synthesizer [Arp] - Bernie Worrell | ||
Vocals - Garry Shider, Gary "Mudbone" Cooper, George Clinton | ||
Written-By - B. Worrell, B. Laswell, B. Collins, G. Clinton | ||
D2 | Sax Machine | 7:47 |
Alto Saxophone, Vocals - Maceo Parker | ||
Bass [Low Bass] - Bill Laswell | ||
Percussion - T-Bone | ||
Synthesizer [String] - Bernie Worrell | ||
Trombone - Fred Wesley | ||
Vocals - Bobby Byrd | ||
Vocals, Guitar, Bass - Bootsy Collins | ||
Written-By - B. Byrd, B. Collins, M. Parker | ||
E1 | Animal Behavior | 7:09 |
Bass [Space Bass], Lead Vocals - Bootsy Collins | ||
Drums - Brain | ||
Guitar, Written-By - Buckethead | ||
Organ [Hammond B-3] - Bernie Worrell | ||
Sampler [Samples] - Bill Laswell | ||
Turntables - Af Next Man Flip | ||
Written-By - B. Laswell, B. Collins | ||
E2 | Trumpets And Violins, Violins | 3:38 |
Guitar - Blackbyrd McKnight, Nicky Skopelitis | ||
Guitar [Intro] - Buckethead | ||
Guitar, Effects [Processing] - Robert Musso | ||
Violin - Lili Haydn | ||
Voice - Abiodun Oyewole | ||
Written-By - Jimi Hendrix | ||
E3 | Telling Time | 4:57 |
Bass - Bill Laswell | ||
Congas - Guilherme Franco | ||
Drums - Joseph "Zigaboo" Modeliste | ||
Guitar [6 And 12-string] - Nicky Skopelitis | ||
Organ [Hammond B-3] - Amina Claudine Myers | ||
Written-By - N. Skopelitis | ||
F1 | Jungle Free-Bass | 5:38 |
Bass [Dub Bass] - Bill Laswell | ||
Bass [Jungle Bass] - Bootsy Collins | ||
Vocals [Vocal Sounds] - Torture | ||
Written-By - B. Laswell, B. Collins | ||
F2 | Blackout | 3:44 |
Guitar, Bass, Drums - Blackbyrd McKnight | ||
Written-By - D. McKnight | ||
F3 | Sacred To The Pain | 4:54 |
Guitar - Eddie Hazel | ||
Organ [Hammond B-3] - Bernie Worrell | ||
Voice - Umar Bin Hassan | ||
Written-By - G. Cook, U.B. Hassan |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times.
- If you order an in stock item together with a pre order or back order (listed as available from supplier rather than in stock) then the order will be shipped together when all items arrive. If you would like the in stock items shipped first please place two separate orders or contact us to arrange shipping items separately.
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
"Funkcronomicon" by Axiom Funk is a fascinating and eclectic album that serves as a testament to the enduring legacy of funk music. Released in 1995, this album is a collaborative project spearheaded by producer Bill Laswell, who is known for his ability to bring together diverse musical talents and genres. "Funkcronomicon" is no exception, as it features an impressive lineup of musicians, including members of Parliament-Funkadelic, Bootsy Collins, Bernie Worrell, and Sly Stone, among others.
The album is often celebrated for its ability to capture the essence of funk while also pushing the boundaries of the genre. It is a tribute to the P-Funk sound, with many tracks featuring the signature grooves, bass lines, and psychedelic elements that defined the music of George Clinton and his collaborators. The album's title, "Funkcronomicon," is a playful nod to H.P. Lovecraft's fictional grimoire, the Necronomicon, suggesting a mystical and otherworldly exploration of funk.
One of the standout tracks on the album is "If 6 Was 9," a cover of the Jimi Hendrix classic. This version features the unmistakable vocals of Bootsy Collins and the guitar work of Eddie Hazel, a legendary figure in the world of funk and rock. The track is a perfect example of how "Funkcronomicon" blends rock and funk elements to create something both familiar and innovative.
Another highlight is "Order Within the Universe," which features the ethereal vocals of Sly Stone. This track is a reminder of Stone's influence on the development of funk and his ability to infuse his music with a sense of spirituality and social consciousness. The song's layered instrumentation and complex rhythms showcase the collaborative spirit of the album, with each musician contributing to a rich tapestry of sound.
"Funkcronomicon" received positive reviews from critics, who praised its ambitious scope and the way it brought together some of the most influential figures in funk music. The album is often seen as a celebration of the genre's history and a demonstration of its continued relevance. While it may not have achieved mainstream commercial success, it has garnered a cult following among fans of funk and experimental music.
The cultural significance of "Funkcronomicon" lies in its ability to bridge the gap between the classic funk of the 1970s and the more experimental sounds of the 1990s. By bringing together musicians from different eras and backgrounds, the album highlights the timeless nature of funk and its capacity for innovation. It serves as a reminder of the genre's roots in African American musical traditions and its impact on popular music worldwide.
In addition to its musical achievements, "Funkcronomicon" is notable for its production quality. Bill Laswell's expertise in blending different sounds and styles is evident throughout the album, as he manages to create a cohesive and immersive listening experience. The album's production is both polished and raw, capturing the energy and spontaneity of live performances while also incorporating studio effects and techniques.
Overall, "Funkcronomicon" is a remarkable album that pays homage to the pioneers of funk while also charting new territory. It is a must-listen for anyone interested in the evolution of funk music and its influence on other genres. The album's ability to bring together legendary musicians and create something fresh and exciting is a testament to the enduring power of collaboration and creativity in music.