Album Info
Artist: | Fugees |
Album: | The Score |
Released: | Europe, 2018 |
Tracklist:
A1 | Red Intro | |
Featuring, Voice - Ras Baraka, Red Alert | ||
A2 | How Many Mics | |
Co-producer - Jerry "Te Bass" Duplessis, Prakazrel "Pras" | ||
Producer - Lauryn Hill, Shawn King | ||
Producer, Recorded By, Mixed By - Wyclef | ||
Recorded By, Mixed By, Engineer - Warren Riker | ||
Written-By - L. Hill, S. Michel, N. Jean | ||
A3 | Ready Or Not | |
Co-producer - Jerry "Te Bass" Duplessis, Prakazrel "Pras" | ||
Mixed By - Bassy Bob Brockman | ||
Producer - Lauryn Hill | ||
Producer [Enya sample] - Nicky Ryan | ||
Producer, Recorded By - Wyclef | ||
Recorded By, Engineer - Warren Riker | ||
Written-By - L. Hill, S. Michel, T. Bell, W. Hart, N. Jean | ||
A4 | Zealots | |
Co-producer - Jerry "Te Bass" Duplessis, Prakazrel "Pras" | ||
Producer - Lauryn Hill | ||
Producer, Mixed By, Recorded By - Wyclef | ||
Recorded By, Mixed By, Engineer - Warren Riker | ||
Written-By - L. Hill, S. Michel, N. Jean | ||
A5 | The Beast | |
Co-producer - Jerry "Te Bass" Duplessis, Prakazrel "Pras" | ||
Mixed By - Bassy Bob Brockman | ||
Producer - Lauryn Hill | ||
Producer, Recorded By - Wyclef | ||
Recorded By, Engineer - Warren Riker | ||
Scratches - Backspin | ||
Written-By - L. Hill, S. Michel, N. Jean | ||
B1 | Fu-Gee-La | |
Engineer - Gary "Mon" Noble | ||
Producer - Salaam Remi | ||
Written-By - L. Hill, S. Michel, S. Remi, N. Jean | ||
Written-By [Sample] - A. McGrier, T. Marie | ||
B2 | Family Business | |
Co-producer - Jerry "Te Bass" Duplessis, Prakazrel "Pras" | ||
Producer - John Forte, Lauryn Hill | ||
Producer, Recorded By, Mixed By, Guitar - Wyclef | ||
Recorded By, Mixed By, Engineer - Warren Riker | ||
Written-By - L. Hill, S. Michel, N. Jean | ||
Written-By, Guest - Forte, Omega | ||
B3 | Killing Me Softly With His Song | |
Co-producer - Jerry "Te Bass" Duplessis, Prakazrel "Pras" | ||
Producer, Backing Vocals, Arranged By [Vocals Arrangement] - Lauryn Hill | ||
Producer, Recorded By, Mixed By - Wyclef | ||
Recorded By, Mixed By, Engineer - Warren Riker | ||
Written-By - C. Fox, N. Gimble | ||
C1 | The Score | |
Co-producer - Jerry "Te Bass" Duplessis, Lauryn Hill, Prakazrel "Pras" | ||
Co-producer, Recorded By, Mixed By - Wyclef | ||
Recorded By, Mixed By, Engineer - Warren Riker | ||
Written-By - L. Hill, S. Michel, N. Jean | ||
Written-By, Producer, Recorded By, Mixed By, Guest, Featuring - Diamond D | ||
C2 | The Mask | |
Co-producer - Jerry "Te Bass" Duplessis, Prakazrel "Pras" | ||
Mixed By - Bassy Bob Brockman | ||
Producer - Lauryn Hill | ||
Producer, Recorded By, Engineer - Wyclef | ||
Written-By - L. Hill, S. Michel, N. Jean | ||
C3 | Cowboys | |
Co-producer - Jerry "Te Bass" Duplessis, Prakazrel "Pras" | ||
Featuring, Guest - Pace 1, Ra Digga, Young Zee | ||
Producer - John Forte, Lauryn Hill | ||
Producer, Recorded By, Mixed By - Wyclef | ||
Recorded By, Mixed By, Engineer - Warren Riker | ||
Written-By - Forte, L. Hill, Pace 1, S. Michel, Ra Digga, N. Jean, Young Zee | ||
D1 | No Woman, No Cry | |
Co-producer - Jerry "Te Bass" Duplessis, Prakazrel "Pras" | ||
Drum Programming - John Forte | ||
Engineer - Warren Riker | ||
Producer - Lauryn Hill, Wyclef | ||
Written-By - V. Ford | ||
D2 | Manifest / Outro | |
Co-producer - Jerry "Te Bass" Duplessis, Prakazrel "Pras" | ||
Featuring, Voice - Red Alert | ||
Producer - Lauryn Hill | ||
Producer, Recorded By, Mixed By - Wyclef | ||
Recorded By, Mixed By, Engineer - Warren Riker | ||
Scratches - DJ Scribble | ||
Written-By - L. Hill, S. Michel, N. Jean |
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Description
"The Score," released in 1996, is the second and most acclaimed album by the American hip-hop group Fugees, consisting of Lauryn Hill, Wyclef Jean, and Pras Michel. This album stands as a landmark in hip-hop and R&B music, celebrated for its innovative blend of rap, soul, and reggae elements. "The Score" is notable for its lyrical depth, musical diversity, and the group's ability to address social and political issues with intelligence and artistry.
The album opens with "Red Intro," setting a tone of urban realism and artistic ambition. This is followed by "How Many Mics," a track that showcases the trio's lyrical prowess and their ability to effortlessly flow over a beat. The song establishes the Fugees as not just musicians but as poets and storytellers.
One of the most iconic tracks on the album, "Killing Me Softly," features Lauryn Hill's soulful rendition of the Roberta Flack classic. Hill's powerful vocals, combined with the group's hip-hop sensibilities, transform the song into a contemporary masterpiece. The track's fusion of R&B and rap elements exemplifies the innovative nature of "The Score."
"Ready or Not," another standout track, highlights the Fugees' skill in crafting music that is both catchy and complex. The song's memorable chorus, interspersed with verses that showcase the group's lyrical skills, creates a sound that is both haunting and invigorating. The use of an Enya sample adds an ethereal quality to the track, further demonstrating the Fugees' ability to blend different musical genres.
Throughout "The Score," the Fugees explore a range of themes, from the struggles of inner-city life to reflections on love and identity. Their music is socially conscious and thought-provoking, offering commentary on the issues of the day while maintaining a universal and timeless appeal.
The production on "The Score," handled by the group along with additional producers, is notable for its creativity and attention to detail. The album's sound is a blend of gritty, raw beats and smoother, melodic tracks, capturing the diversity of the group's musical influences. The production enhances the album's narrative and thematic content, creating a cohesive and immersive listening experience.
In conclusion, "The Score" is a seminal album in the history of hip-hop. The Fugees' blend of rap, soul, and reggae, combined with their lyrical intelligence and musical innovation, makes this album a groundbreaking work. "The Score" not only solidified the Fugees' place in the music world but also had a lasting impact on the genre, influencing countless artists and shaping the direction of hip-hop music. The album remains a critical and commercial success, revered for its artistry and its relevance to contemporary music and culture.