Album Info
| Artist: | KRS-One |
| Album: | Return Of The Boom Bap |
| Released: | Europe, 13 Oct 2017 |
Tracklist:
| A1 | KRS-One Attacks | 2:50 |
| A2 | Outta Here | 4:28 |
| A3 | Black Cop | 2:59 |
| A4 | Mortal Thought | 3:19 |
| B1 | I Can't Wake Up | 3:34 |
| B2 | Slap Them Up | 3:58 |
| Co-producer - Douglas Jones | ||
| Producer - Norty Cotto | ||
| B3 | Sound Of Da Police | 4:18 |
| Producer - Showbiz | ||
| C1 | Mad Crew | 4:24 |
| C2 | Uh Oh | 4:05 |
| C3 | Brown Skin Woman | 4:38 |
| Producer, Mixed By - Kid Capri | ||
| D1 | Return Of The Boom Bap | 3:46 |
| D2 | "P" Is Still Free | 4:56 |
| D3 | Stop Frontin' | 3:19 |
| Producer, Mixed By - Kid Capri | ||
| D4 | Higher Level | 5:13 |
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Description
KRS-One - Return of the Boom Bap: A Definitive Staple of East Coast Hip-Hop
Released in 1993, "Return of the Boom Bap" marks the first solo album by KRS-One after his tenure with the seminal hip-hop group Boogie Down Productions. This album is a celebration and reaffirmation of the traditional boom bap sound that was foundational to early hip-hop, characterized by its hard-hitting breaks, deep basslines, and intricate rhymes. KRS-One, known as "The Teacher" for his socially conscious and politically charged lyrics, delivers a masterclass in MCing with this album, blending his philosophical insights with raw energy and prowess.
The opening track, "KRS-One Attacks," sets the stage with its aggressive beats and KRS-One's commanding presence on the mic. The track serves as a bold declaration of his lyrical skill and his commitment to the core elements of hip-hop culture.
"Outta Here," one of the album's standout tracks, tells the story of KRS-One's journey in the music industry, from his early days with Boogie Down Productions to his status as a solo artist. The song's narrative is both a personal reflection and a critique of the industry, showcasing KRS-One's storytelling ability and his keen social commentary.
The title track, "Return of the Boom Bap," is a homage to the classic hip-hop sound that KRS-One helped to pioneer. The track features hard-hitting drum loops and a minimalist production that allows KRS-One's rhymes to take center stage, emphasizing the raw essence of hip-hop.
"Sound of da Police," perhaps the album's most recognized track, is a scathing critique of police brutality and systemic injustice. The song's iconic refrain and KRS-One's impassioned delivery make it a powerful anthem for social justice, resonating with audiences worldwide.
The production on "Return of the Boom Bap," led by DJ Premier, Showbiz, and KRS-One himself, captures the gritty, raw sound of New York's hip-hop scene in the early '90s. The album's beats are a throwback to the genre's roots, with each track crafted to highlight KRS-One's lyrical agility and depth.
"Return of the Boom Bap" is more than an album; it's a manifesto for the preservation and celebration of hip-hop's foundational elements. KRS-One's articulate flow, combined with his philosophical and political insights, creates a work that is both intellectually stimulating and viscerally engaging.
In conclusion, "Return of the Boom Bap" by KRS-One stands as a seminal work in the annals of hip-hop, a testament to the enduring power of the genre's original sound and spirit. The album's blend of social commentary, lyrical mastery, and classic beats makes it a definitive staple of East Coast hip-hop and a crucial chapter in KRS-One's illustrious career. "Return of the Boom Bap" is not only a showcase of KRS-One's talent as an MC but also a reminder of hip-hop's potential as a platform for cultural expression and social change.
