Album Info
Artist: | The Notorious B.I.G. |
Album: | Life After Death (25th Anniversary Of The Final Studio Album From Biggie Smalls) |
Released: | Europe, 26 Oct 2022 |
Tracklist:
A1 | Life After Death Intro | |
Co-producer - Notorious B.I.G. | ||
Producer - Sean "Puffy" Combs, Stevie J | ||
Recorded By - Manny Marroquin | ||
Written-By - C. Wallace, S. Combs, S. Jordan | ||
A2 | Somebody's Gotta Die | |
Arranged By [Strings] - Stevie J | ||
Performer [Contains Samples From "In The Rain"] - The Dramatics | ||
Producer - Carlos "July Six" Broady, Nashiem Myrick, Sean "Puffy" Combs | ||
Recorded By - Doug Wilson, Lane Craven, Prince Charles Alexander, Rich July, Steve Jones | ||
Written-By - C. Broady, C. Wallace, N. Myrick, S. Combs, A. Hester | ||
A3 | Hypnotize | |
Backing Vocals - Pam Long | ||
Post Production [Additional], Edited By - Richard "Younglord" Frierson | ||
Producer - Deric "D-Dot" Angelettie, Ron "Amen-Ra" Lawrence, Sean "Puffy" Combs | ||
Recorded By - Axel Niehaus, Doug Wilson | ||
Written-By - A. Armer, C. Wallace, D. Angelettie, R. Alpert, R. Lawrence, S. Combs | ||
Written-By [Contains Interpolations From The Composition "La Di Da Di"] - Douglas Davis, Ricky Walters | ||
A4 | Kick In The Door | |
Performer [Contains Samples From "I Put A Spell On You"] - Screamin' Jay Hawkins | ||
Producer - DJ Premier | ||
Recorded By - Diana Pedraza, Rich July | ||
Written-By - C. Martin, C. Wallace, J. Hawkins | ||
B1 | #!@ You Tonight | |
Featuring - R. Kelly | ||
Instruments [All] - Daron Jones, Stevie J | ||
Producer - Daron Jones, Sean "Puffy" Combs | ||
Recorded By - Joe Perrera, Lane Craven, Prince Charles Alexander | ||
Written-By - C. Wallace, D. Jones, R. Kelly, S. Combs | ||
B2 | Last Day | |
Co-producer - Sean "Puffy" Combs, Stevie J | ||
Featuring - The Lox | ||
Producer - Havoc | ||
Recorded By - Doug Wilson, Stephen Dent | ||
Written-By - C. Wallace, D. Stiles, J. Phillips, K. Muchita | ||
B3 | I Love The Dough | |
Featuring - Angela Winbush, Jay-Z | ||
Performer [Contains Samples From "I Love You More"] - René & Angela | ||
Producer - Easy Mo Bee | ||
Recorded By - Doug Wilson, Michael Patterson, Stephen Dent | ||
Written-By - A. Winbush, C. Wallace, O. Harvey, R. Moore, S. Carter | ||
B4 | What's Beef? | |
Co-producer - Paragon | ||
Instruments [All] - Carlos "July Six" Broady, Paragon | ||
Producer - Carlos "July Six" Broady, Nashiem Myrick | ||
Recorded By - Al Machera, Doug Wilson | ||
Written-By - C. Broady, C. Wallace, N. Myrick | ||
C1 | B.I.G. Interlude | |
Performer [Contains Samples Of "PSK (What Does It Mean)"] - Skooly D | ||
Producer - Deric "D-Dot" Angelettie, Notorious B.I.G. | ||
Recorded By - John "JM" Meredith, Steve Jones | ||
Written-By - C. Wallace, D. Angelettie | ||
Written-By [Contains Samples Of "PSK (What Does It Mean)"] - Weaver, Jr. | ||
C2 | Mo Money Mo Problems | |
Backing Vocals - Kelly Price | ||
Featuring - Mase, Puff Daddy | ||
Performer [Contains A Sample From "I'm Comin' Out"] - Diana Ross | ||
Producer - Sean "Puffy" Combs, Stevie J | ||
Recorded By - Axel Niehaus, Doug Wilson, Lane Craven | ||
Written-By - B. Edwards, C. Wallace, M. Betha, N. Rodgers, S. Combs, S. Jordan | ||
C3 | Niggas Bleed | |
Harpsichord - Carlos "July Six" Broady | ||
Producer - Carlos "July Six" Broady, Nashiem Myrick, Sean "Puffy" Combs, Stevie J | ||
Recorded By - Doug Wilson, Lane Craven, Prince Charles Alexander, Rasheed Goodlowe, Rich July | ||
Written-By - C. Wallace, N. Myrick, S. Combs, S. Jordan | ||
C4 | I Got A Story To Tell | |
Co-producer - Chucky Thompson, Sean "Puffy" Combs | ||
Producer - Buckwild | ||
Recorded By - Al Machera, Stephen Dent, Steve Jones | ||
Written-By - A. Best, C. Wallace | ||
D1 | Notorious Thugs | |
Producer - Sean "Puffy" Combs, Stevie J | ||
Recorded By - Manny Marroquin, Stephen Dent | ||
Vocals [Additional] - Bizzy Bone, Krayzie Bone, Layzie Bone | ||
Written-By - A. Henderson, B. McCane, C. Wallace, S. Combs, S. Howse, S. Jordan | ||
D2 | Miss U | |
Backing Vocals - Daron Jones, Marvin Scandrick, Michael Keith, Quinnes Parker | ||
Producer - Kay Gee | ||
Recorded By - Diana Pedraza, Michael Patterson | ||
Written-By - C. Wallace, K. Gist, L. Richie | ||
D3 | Another | |
Featuring - Lil' Kim | ||
Producer - Sean "Puffy" Combs, Stevie J | ||
Recorded By - Lane Craven, Steve Jones | ||
Written-By - B. Ingram, C. Wallace, K. Jones, N. Ingram, S. Combs, S. Jordan | ||
D4 | Going Back To Cali | |
Producer - Easy Mo Bee | ||
Recorded By - Doug Wilson, Michael Patterson, Stephen Dent | ||
Written-By - C. Wallace, O. Harvey, R. Troutman | ||
E1 | Ten Crack Commandments | |
Producer - DJ Premier | ||
Recorded By - Diana Pedraza, Michael Patterson, Rich July | ||
Written-By - C. Martin, C. Wallace | ||
E2 | Playa Hater | |
Backing Vocals - Keanna Henson, Notorious B.I.G. | ||
Featuring [Special Guests] - Ron Grant & Friends | ||
Producer - Sean "Puffy" Combs, Stevie J | ||
Recorded By, | ||
Written-By - C. Wallace, S. Combs, S. Jordan, W. Hart | ||
Written-By [Contains Interpolations Of "Hey Love"] - W. Hart | ||
E3 | Nasty Boy | |
Producer - Sean "Puffy" Combs, Stevie J | ||
Recorded By - Doug Wilson, Louis Alfred | ||
Written-By - C. Wallace, S. Combs, S. Jordan | ||
E4 | Sky's The Limit | |
Featuring - 112 | ||
Producer - Clark Kent | ||
Recorded By - Lane Craven, Prince Charles Alexander, Rich July | ||
Vocals [Additional] - Daron Jones, Marvin Scandrick, Michael Keith, Quinnes Parker | ||
Written-By - B. Caldwell, C. Wallace, C. Kent, H. Eaves, J. Williams | ||
Written-By, Performer [Contains A Sample From "My Flame"] - Bobby Caldwell | ||
F1 | The World Is Filled... | |
Featuring - Puff Daddy, Too Short | ||
Producer - Deric "D-Dot" Angelettie, Sean "Puffy" Combs | ||
Recorded By - Axel Niehaus, Ben Garrison, Doug Wilson | ||
Vocals [Additional] - Carl Thomas | ||
Written-By - C. Wallace, D. Angelettie, K. Walker, S. Combs, T. Shaw | ||
Written-By [Contains Samples Of "Spacewalk"] - Kit Walker | ||
F2 | My Downfall | |
Backing Vocals - Deborah "Portia" Neeley Rolle, Karen Anderson | ||
Electric Organ [Hammond] - Carlos "July Six" Broady | ||
Featuring - DMC | ||
Producer - Carlos "July Six" Broady, Nashiem Myrick, Sean "Puffy" Combs | ||
Recorded By - Axel Niehaus, Doug Wilson, Stephen Dent | ||
Recorded By [Additional] - Lane Craven, Michael Patterson | ||
Written-By - C. Broady, C. Wallace, D. McDaniels, N. Myrick, S. Combs | ||
F3 | Long Kiss Goodnight | |
Producer - RZA | ||
Recorded By - Doug Wilson | ||
Written-By - C. Wallace, R. Diggs | ||
F4 | You're Nobody (Til Somebody Kills You) | |
Backing Vocals - Faith Evans | ||
Co-producer - DJ Enuff, Jiv Poss | ||
Instruments [All] - Stevie J | ||
Producer - Sean "Puffy" Combs, Stevie J | ||
Recorded By - Doug Wilson, Prince Charles Alexander | ||
Written-By - B. Preston, C. Wallace, E. Lopez, G. Johnson, S. Combs, S. Jordan |
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Description
Released on March 25, 1997, just days after the tragic death of its creator, The Notorious B.I.G.'s "Life After Death" stands as a monumental piece in hip-hop history. This double album, which was released under Bad Boy Records, not only solidified Biggie's legacy but also showcased the evolution of East Coast hip-hop during the late 90s. It was a commercial success, debuting at number one on the Billboard 200 and eventually being certified Diamond by the RIAA, making it one of the best-selling hip-hop albums of all time.
"Life After Death" is often celebrated for its rich production and lyrical depth. The album features a plethora of standout tracks that have become classics in their own right. Songs like "Hypnotize" and "Mo Money Mo Problems" are not just catchy; they encapsulate the essence of Biggie's storytelling prowess and his ability to blend humor with the harsh realities of life. The production, helmed by Puff Daddy and a host of talented producers including Easy Mo Bee and DJ Premier, is lush and varied, ranging from the smooth, laid-back vibes of "Sky's the Limit" to the hard-hitting beats of "Kick in the Door."
Critically, the album received widespread acclaim upon its release. Major publications like Rolling Stone and The Source praised Biggie's lyrical genius and the album's production quality. Rolling Stone even included it in their list of the 500 Greatest Albums of All Time, a testament to its enduring impact. The album was nominated for several awards, including a Grammy for Best Rap Album, and it won the award for Best Rap Performance by a Duo or Group for "Mo Money Mo Problems" at the 1998 Grammy Awards.
One of the most poignant aspects of "Life After Death" is its historical significance. Released posthumously, it serves as a bittersweet reminder of Biggie's talent and the potential that was tragically cut short. The album's themes of fame, fortune, and the struggles of street life resonate deeply, especially considering the circumstances surrounding its release. Biggie's ability to articulate the complexities of his life and the world around him is evident throughout the album, making it a timeless piece of art.
Personal anecdotes from those involved in the making of the album add another layer of depth to its story. In interviews, Puff Daddy has often reflected on the emotional weight of releasing the album after Biggie's death, describing it as both a celebration of his friend's life and a painful reminder of his absence. The collaboration with artists like Lil' Kim and The Lox also highlights the camaraderie and creative synergy that existed within the Bad Boy family during that era.
Fun facts about the album include its iconic cover art, which features a striking image of Biggie in a white suit, exuding confidence and charisma. This image has become synonymous with his legacy and is often referenced in discussions about hip-hop culture. Additionally, the album's title itself, "Life After Death," speaks volumes about Biggie's perspective on mortality and his belief in the enduring nature of his music.
In conclusion, "Life After Death" is not just an album; it's a cultural artifact that captures a pivotal moment in hip-hop history. Its blend of storytelling, production, and emotional depth continues to resonate with fans old and new. As we celebrate the 25th anniversary of this iconic work, it serves as a reminder of The Notorious B.I.G.'s unparalleled talent and the lasting impact he has had on music and culture. Whether you're a longtime fan or discovering his work for the first time, this album is a must-listen that showcases the brilliance of one of hip-hop's greatest legends.