Album Info
Artist: | The Notorious B.I.G. |
Album: | Ready To Die |
Released: | Europe, 2023 |
Tracklist:
A1 | Intro | 3:24 |
Producer - Sean "Puffy" Combs | ||
Recorded By, Mixed By - Bassy Bob Brockmann | ||
Written-By [Rappers Delight] - G. O'Brien, H. Jackson, M.l Wright, S. Robinson | ||
Written-By [Super Fly] - Curtis Mayfield | ||
Written-By [Top Billin'] - K. Robinson, N. Robinson | ||
A2 | Things Done Changed | 3:58 |
Producer - Darnell Scott | ||
Recorded By, Mixed By - Bassy Bob Brockmann | ||
Written-By - C. Wallace, D. Owens, K. Scott | ||
A3 | Gimme The Loot | 4:46 |
Producer - Easy Mo Bee | ||
Recorded By, Mixed By - Greg Pinto | ||
Written-By - C. Wallace, O. Harvey | ||
Written-By [Just To Get A Rep] - Chris Martin , Keith Elam | ||
Written-By [Scenario] - A. Jones-Muhammad, B. Higgins, J. Jackson, K. Fareed, M. Taylor, T. Smith | ||
Written-By [Singing In The Morning] - Andrew Noland, Gregory Webster, Walter Morrison, Leroy Bonner, Marshall E. Jones, Ralph Middlebrooks | ||
Written-By [Throw Ya Gunz] - C. Parker, F. Scruggs, K. Jones, T. Taylor | ||
A4 | Machine Gun Funk | 4:16 |
Mixed By - Rich Keller | ||
Mixed By [Mix Assistant] - Alonzo Vargas | ||
Producer - Easy Mo Bee | ||
Recorded By - Bassy Bob Brockmann | ||
Written-By - C. Wallace, O. Harvey | ||
Written-By [Chief Rocka] - A. Wardrick, C. Martin, D. Kelly, K. Elam, K. Hansford, M. Williams | ||
A5 | Warning | 3:40 |
Producer - Easy Mo Bee | ||
Recorded By, Mixed By - Rich Travali | ||
Written-By - C. Wallace, O. Harvey | ||
Written-By [Walk On By] - Hal David, Burt Bacharach | ||
B1 | Ready To Die | 4:24 |
Mixed By - Rich Keller | ||
Mixed By [Mix Assistant] - Alonzo Vargas | ||
Producer - Easy Mo Bee | ||
Recorded By - Mario Rodriguez | ||
Written-By - C. Wallace, O. Harvey, S. Combs | ||
Written-By [Yes I'm Ready] - B. Mason | ||
B2 | One More Chance | 4:43 |
Instruments - Carl "Chucky" Thompson | ||
Producer - Carl "Chucky" Thompson, Norman & Digga, Sean "Puffy" Combs, Bluez Brothers | ||
Recorded By, Mixed By - Rich Travali | ||
Vocals [Additional] - Total | ||
Written-By - C. Thompson, C. Wallace, N. Glover, R. Ellis, S. Combs | ||
B3 | #!@ Me (Interlude) | 1:31 |
Producer - Sean "Puffy" Combs | ||
Recorded By, Mixed By - "Prince Charles" Alexander | ||
Written-By - C. Wallace, S. Combs | ||
B4 | The What | 3:57 |
Performer - Method Man | ||
Producer - Easy Mo Bee | ||
Recorded By, Mixed By - Bill Esses | ||
Written-By - C. Wallace, C. Smith, O. Harvey | ||
B5 | Juicy | 5:03 |
Producer - Jean "Poke" Oliver, Sean "Puffy" Combs | ||
Recorded By, Mixed By - Mario Rodriguez | ||
Vocals [Additional] - Total | ||
Written-By - C. Wallace, J. Oliver, S. Combs | ||
Written-By [Juicy Fruit] - J. Mtume | ||
C1 | Everyday Struggle | 5:19 |
Producer - Norman & Digga, Bluez Brothers | ||
Recorded By, Mixed By - Rich Travali | ||
Written-By - C. Wallace, D. Grusin, H. Mason, N. Glover, R. Ellis | ||
C2 | Me & My Btch | 4:00 |
Instruments - Carl "Chucky" Thompson | ||
Mixed By - Rich Travali | ||
Producer - Carl "Chucky" Thompson, Norman & Digga, Sean "Puffy" Combs, Bluez Brothers | ||
Recorded By - John Wydrycs | ||
Voice [Woman's Voice] - Sybil Pennix | ||
Written-By - C. Thompson, C. Wallace, N. Glover, R. Ellis, S. Combs | ||
C3 | Big Poppa | 4:13 |
Producer - Carl "Chucky" Thompson, Sean "Puffy" Combs | ||
Recorded By, Mixed By - Rich Travali | ||
Written-By - C. Wallace | ||
Written-By [Between The Sheets] - C. Jasper, E. Isley, M. Isley, O. Isley, R. Isley, R. Isley | ||
C4 | Respect | 5:21 |
Mixed By - Mario Rodriguez | ||
Producer - Jean "Poke" Oliver, Sean "Puffy" Combs | ||
Recorded By - "Prince" Charles Alexander | ||
Vocals [Additional] - Diana King | ||
Written-By - C. Wallace, D. King, H. Casey | ||
D1 | Friend Of Mine | 3:28 |
Producer - Easy Mo Bee | ||
Recorded By, Mixed By - Bassy Bob Brockmann | ||
Written-By - C. Wallace, O. Harvey | ||
Written-By [Spirit Of The Boogie] - C. Smith, D. Thomas, D. Boyce, G. Brown, O. Nash, R. Westfield, R. Bell, R. Mickens, R. Bell | ||
Written-By [Vicious] - B. Mambo | ||
D2 | Unbelievable | 3:44 |
Mixed By - Eddie Sancho | ||
Producer - DJ Premier | ||
Recorded By - Norty Cotto | ||
Written-By - C. Martin, C. Wallace, R. Kelly | ||
D3 | Suicidal Thoughts | 2:50 |
Producer - Lord Finesse | ||
Recorded By, Mixed By - Bassy Bob Brockmann | ||
Written-By - C. Wallace, R. Hall | ||
D4 | Who Shot Ya | 5:19 |
Producer - Nashiem Myrick, Sean "Puffy" Combs | ||
Programmed By [Additional Programming] - Poke | ||
Vocals [Additional] - Faith Evans | ||
Written-By - C. Wallace, N. Myrick, S. Combs | ||
Written-By [I'm Afraid The Masquerade Is Over] - A. Wrubel, H. Magidson |
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Description
Released on September 13, 1994, "Ready to Die" is the iconic debut album from The Notorious B.I.G., also known as Biggie Smalls. This album not only marked the arrival of a new voice in hip-hop but also set the stage for the East Coast rap renaissance of the 1990s. With its raw storytelling and vivid imagery, it has since been recognized as one of the greatest hip-hop albums of all time.
From the very first track, "Things Done Changed," listeners are drawn into Biggie's world, where he candidly reflects on his life experiences, struggles, and the harsh realities of growing up in Brooklyn. The production, primarily handled by Sean "Diddy" Combs and a few others, blends smooth samples with hard-hitting beats, creating a sound that was both accessible and gritty. The juxtaposition of Biggie's deep, laid-back delivery against the backdrop of these beats is nothing short of mesmerizing.
One of the standout tracks, "Juicy," is a quintessential anthem of triumph over adversity. In it, Biggie recounts his rise from humble beginnings to fame, and it resonates with anyone who has ever faced challenges in pursuit of their dreams. The song's catchy hook and infectious beat have made it a timeless classic, and it has been sampled and referenced countless times in popular culture.
Another notable track is "Big Poppa," which showcases Biggie's charisma and smooth flow. The song's seductive vibe and catchy chorus helped solidify Biggie's status as a leading figure in hip-hop, and it remains a staple at parties and events to this day. The way he effortlessly rides the beat is a testament to his skill as a lyricist and performer.
Critically, "Ready to Die" received widespread acclaim upon its release. Major publications like The Source and Rolling Stone praised Biggie's lyrical prowess and the album's production quality. In fact, Rolling Stone later included it in their list of the 500 Greatest Albums of All Time, highlighting its cultural significance and impact on the genre. The album was also nominated for several awards, including a Grammy nomination for Best Rap Album, which further cemented its place in music history.
The album's themes of violence, poverty, and the struggle for success are not just personal anecdotes; they reflect the broader societal issues of the time. Biggie's storytelling ability allows listeners to empathize with his experiences, making the album feel both personal and universal. His ability to weave humor into his narratives, as seen in tracks like "Me & My Bitch," adds another layer to his artistry, showcasing his multifaceted personality.
Interestingly, the album's cover art, featuring a close-up of Biggie's face, has become iconic in its own right. The image captures his larger-than-life persona and has been referenced in various forms of media, further solidifying his legacy. The album's title, "Ready to Die," is a bold statement that reflects Biggie's mindset at the time, as he was ready to confront the realities of his life head-on.
In terms of production, the album features contributions from several notable producers, including Easy Mo Bee and DJ Premier, who helped shape the sound of East Coast hip-hop during this era. The blend of samples from soul and funk music with hard-hitting drums created a unique sound that was both nostalgic and fresh.
In conclusion, "Ready to Die" is not just an album; it's a cultural milestone that has influenced countless artists and continues to resonate with fans old and new. Biggie's storytelling, combined with the album's production, creates a powerful listening experience that captures the essence of his life and the struggles of many. As we reflect on its impact, it's clear that this album is a cornerstone of hip-hop history, and its legacy will endure for generations to come.