Album Info
Artist: | Miles Davis |
Album: | Kind Of Blue |
Released: | Europe, 2018 |
Tracklist:
A1 | So What | 8:56 |
A2 | Freddie Freeloader | 9:32 |
A3 | Blue In Green | 5:27 |
B1 | All Blues | 11:34 |
B2 | Flamenco Sketches | 9:32 |
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Info About Buying Vinyl From Our Record Store
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Description
"Kind Of Blue," released in 1959 by the legendary jazz trumpeter Miles Davis, is not just an album; it's a pivotal moment in the history of jazz and modern music. This masterpiece is widely regarded as one of the greatest jazz albums ever recorded, a defining work of the modal jazz genre. Featuring an ensemble of extraordinary musicians, including John Coltrane on tenor saxophone, Cannonball Adderley on alto saxophone, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums, "Kind Of Blue" is celebrated for its innovative approach, sublime improvisations, and profound influence on all music that followed.
The album opens with "So What," a track that immediately sets a tone of cool, understated elegance. The song's structure, based on simple modal scales rather than complex chord progressions, allows the musicians to explore and improvise with a sense of freedom and creativity. Davis' trumpet playing is both introspective and expressive, setting the standard for the rest of the album.
"Freddie Freeloader," featuring a bluesy piano intro by Wynton Kelly, is a showcase of the band's cohesive interplay and individual brilliance. Each solo, from Davis' melodic trumpet lines to Coltrane and Adderley's soulful saxophone improvisations, contributes to a tapestry of sound that is both complex and accessible.
"Blue in Green," a ballad co-composed by Davis and Bill Evans, is a highlight of the album for its lyrical beauty and emotional depth. The track's haunting melody, supported by Evans' delicate piano voicings and Davis' muted trumpet, creates an atmosphere of introspection and melancholy. This composition is a testament to the album's ability to convey profound emotions through music.
"Flamenco Sketches," another standout track, is an exploration of modal improvisation, with each musician contributing to a piece that is both meditative and expansive. The song's structure allows for a free-flowing exchange of musical ideas, highlighting the band's mastery of the modal jazz form.
The production of "Kind Of Blue," led by Teo Macero, is notable for its clarity and simplicity. The recording captures the spontaneity and intimacy of the sessions, allowing the listener to feel as though they are in the room with the musicians. The sound quality is warm and natural, preserving the nuances of each performance.
"Kind Of Blue" is not only a high point in Miles Davis' illustrious career but also a landmark in the evolution of jazz. Its influence extends beyond jazz, impacting musicians and composers in numerous genres. The album's approach to harmony, improvisation, and composition has been studied and admired by artists around the world.
In conclusion, "Kind Of Blue" is an album of unparalleled significance. Its timeless quality, innovative approach, and the extraordinary talent of its creators have cemented its place as a classic of not just jazz but all music. The album's legacy continues to grow, inspiring new generations of musicians and listeners with its beauty, elegance, and artistic depth. "Kind Of Blue" is more than an album; it's a vital piece of musical history.