Album Info
| Artist: | Anastacia |
| Album: | Not That Kind |
| Released: | Europe, 24 Jun 2016 |
Tracklist:
| A1 | Not That Kind | 3:20 |
| Arranged By - Ric Wake, Richie Jones | ||
| Arranged By [Background Vocals Arrangement] - Anastacia, BeBe Winans | ||
| Backing Vocals [Background Vocals] - BeBe Winans | ||
| Drums - Richie Jones | ||
| Engineer [Mix Assistant Engineer] - Joe Ernst | ||
| Guitar - Eric Kupper | ||
| Guitar [Guitar Solo] - Chris Goercke | ||
| Recorded By [Vocals] - Thomas R. Yezzi | ||
| Written-By - Marvin Young, Will Wheaton | ||
| A2 | I'm Outta Love | 4:03 |
| Drums - Louis Biancaniello, Sam Watters | ||
| Guitar - Vernon Black | ||
| A3 | Cowboys & Kisses | 4:41 |
| Bass - Gary Haase | ||
| Drums - Steve Wolfe | ||
| Guitar [Guitars] - Rob Bailey | ||
| Mixed By - Thomas R. Yezzi | ||
| Producer [Produced By] - The Shadowmen (Aka JIVE & Charlie) | ||
| Programmed By [Additional Programming] - Eric Kupper | ||
| Programmed By [Programming] - JIVE | ||
| Written-By - Charlie Pennachio | ||
| A4 | Who's Gonna Stop The Rain | 5:00 |
| Contractor [String Contractor] - Doug Cuomo | ||
| Recorded By - Al Hemberger, Ed Miller | ||
| Violin [Violins] - Ann Leathers, Belinda Whitney-Barratt, Joel Pitchon, Regis Iandiorio, Shirien Taylor | ||
| A5 | Love Is Alive | 4:06 |
| Backing Vocals [Background Vocals] - Audrey L. Wheeler, Keith Fluitt, Nicky Richards, Rob Mathes | ||
| Engineer [Assistant] - Chris Brooke, Jim Annunziatto, Ron Last, Ryan Hewitt | ||
| Engineer [Pro-tools] - Jim Annunziatto | ||
| Guitar [Guitars], Keyboards - Russ DeSalvo | ||
| Organ [Hammond B-3] - Loris Holland | ||
| Piano - Leon Pendarvis | ||
| Producer [Additional Production] - Richie Jones | ||
| Producer [Production Coordinator] - David Barratt | ||
| Programmed By [Additional Programming] - Pat Carroll, Russ DeSalvo | ||
| Programmed By [Percussion], Drum Programming - Richie Jones | ||
| Recorded By [Lead Vocals Assistant Recorder] - Dave Poler | ||
| Recorded By [Track] - Bob Cadway, Dan Hetzel | ||
| Written-By - Gary Wright | ||
| A6 | I Ask Of You | 4:27 |
| Guitar [Guitars] - Chris Camozzi | ||
| B1 | Wishing Well | 3:58 |
| Arranged By - Ric Wake, Richie Jones | ||
| Backing Vocals [Background Vocals] - Audrey Martells, Barbara Laurie | ||
| Bass - Tom Barney | ||
| Drums - Richie Jones | ||
| Guitar [Guitars] - Chieli Minucci | ||
| Percussion - Bashiri Johnson | ||
| Recorded By [Track] - Dan Hetzel, Ethan Mates | ||
| Written-By - Denise Rich, Greg Bieck, JIVE | ||
| B2 | Made For Lovin' You | 3:36 |
| Drums - Louis Biancaniello, Sam Watters | ||
| Guitar [Guitars] - Chris Camozzi, Vernon Black | ||
| B3 | Black Roses | 3:37 |
| Coordinator [Production Coordinator] - Andrea Derby | ||
| Engineer [Mix Engineer] - Al Hemberger | ||
| Mixed By - Al Hemberger, Carl Sturken, Evan Rogers | ||
| Scratches [Turntable Scratches] - Dennis Johnson | ||
| Written-By - Ray Ruffin | ||
| B4 | Yo Trippin' | 3:35 |
| Backing Vocals [Background Vocals] - Angela Brusegar, Sharlotte Gibson | ||
| Drums - Rayford Griffin | ||
| Edited By [Pro Tools Editing] - Bryan Golder | ||
| Guitar - Carl Potts | ||
| Producer [Produced By] - Travon Potts | ||
| Recorded By - Mike Fennel | ||
| Written-By - Travon Potts | ||
| B5 | One More Chance | 4:39 |
| Backing Vocals - Lynn Davis, Lynne Fiddmont-Linsey | ||
| Bass - Rickey Minor | ||
| Coordinator [Production] - Andrea Derby | ||
| Drums - Ricky Lawson | ||
| Guitar - Paul Jackson Jr. | ||
| Keyboards, Programmed By [Programming] - Diane Louie | ||
| Mixed By - Peter Mokran | ||
| Percussion - Luis Conte | ||
| Piano [Acoustic Pianos], Electric Piano [Electric Pianos] - Herman Jackson III | ||
| Producer [Produced By] - Rickey Minor | ||
| Recorded By - David Zeller | ||
| Written-By - Oji Pierce | ||
| B6 | Same Old Story | 5:32 |
| Bass - John "Noodle" Nevin | ||
| Contractor [String Contractor] - Doug Cuomo | ||
| Drums - Kevin Cloud | ||
| Engineer - Al Hemberger, Ed Miller | ||
| Violin [Violins] - Ann Leathers, Belinda Whitney-Barratt, Joel Pitchon, Regis Iandiorio, Shirien Taylor |
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Details
Original Release Year: |
2000 |
Genre(s): |
Electronic, Funk, Soul, Pop, Downtempo, Pop Rock, Contemporary R&B |
Format: |
Vinyl Record LP |
Description
Anastacia - Not That Kind: A Bold Debut of Pop and Soul Resilience
Released in 2000, "Not That Kind" is the debut studio album by American singer Anastacia, known for her distinctive soulful voice and dynamic range. The album catapulted her to international fame, showcasing a blend of pop, R&B, rock, and soul that was both fresh and reminiscent of the powerful divas of the past. "Not That Kind" stands out for its catchy hooks, empowering lyrics, and Anastacia's robust vocal performances, marking the arrival of a unique talent in the music industry.
The title track, "Not That Kind," sets the tone for the album with its funky grooves and assertive lyrics. The song's message of independence and self-assurance, coupled with Anastacia's commanding vocal delivery, makes it a compelling anthem of personal strength and confidence.
"I'm Outta Love," the album's lead single, became an instant hit, thanks to its infectious rhythm and memorable chorus. The track showcases Anastacia's ability to convey emotion and power through her voice, making "I'm Outta Love" a standout dance-pop track that resonates with listeners seeking both energy and depth in music.
"Cowboys & Kisses," a more introspective track, highlights Anastacia's versatility as an artist. The song's blend of soulful melodies and storytelling lyrics offers a different facet of her music, showcasing her ability to connect with audiences on an emotional level through balladry.
"Made for Lovin' You," another high-energy track, combines rock elements with pop sensibilities, further demonstrating the eclectic nature of the album. Anastacia's vocal prowess shines through, with her ability to navigate complex melodies and deliver a performance that is both powerful and nuanced.
The production of "Not That Kind," led by notable producers such as Ric Wake and Sam Watters, captures the essence of Anastacia's dynamic vocal style and the album's diverse musical influences. The arrangements are carefully crafted to complement her voice, ensuring that each track provides a platform for her to showcase her considerable talents.
"Not That Kind" is more than a debut album; it's a declaration of Anastacia's unique place in the music world. The album's blend of genres, along with its themes of empowerment, love, and resilience, resonate with a wide audience, making it a compelling introduction to an artist whose voice and spirit defy categorization.
In conclusion, "Not That Kind" by Anastacia stands as a powerful and vibrant debut, highlighting her as a force to be reckoned with in the music industry. The album's successful fusion of pop, R&B, and soul, combined with Anastacia's distinctive voice and emotive performances, makes it an enduring work that continues to inspire and entertain listeners. "Not That Kind" not only launched Anastacia's career but also contributed a fresh voice and energy to the landscape of early 2000s music.
