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My Bloody Valentine - Isn't Anything (LP) - 2023 Repress

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$70.00
Condition:
New
Availability:
Available At Supplier. Ships in 1 - 2 weeks
Current Stock:
Original Release Year:
1988
Genre(s):
Rock, Shoegaze, Alternative Rock
Format:
Vinyl Record LP
$70.00

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My Bloody Valentine - Isn't Anything Vinyl Record Album Art
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Album Info

Artist: My Bloody Valentine
Album: Isn't Anything
Gatefold: Yes
Released: Europe, 2022

Tracklist:

A1Soft As Snow (But Warm Inside)
A2Lose My Breath
A3Cupid Come
A4(When You Wake) You're Still In A Dream
A5No More Sorry
A6All I Need
B7Feed Me With Your Kiss
B8Sueisfine
B9Several Girls Galore
B10You Never Should
B11Nothing Much To Lose
B12I Can See It (But I Can't Feel It)

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Description

Released in 1988, "Isn't Anything" is the groundbreaking debut studio album by My Bloody Valentine, a band that would come to define and dominate the shoegaze genre. This album, emerging in the wake of the band's earlier, more conventional indie pop endeavors, marked a significant departure towards a more experimental sound characterized by innovative guitar work, ethereal vocals, and unconventional song structures. The result was a sonic experience that was both disorienting and mesmerizing, laying the groundwork for what would become the signature sound of shoegaze.

From the outset, "Isn't Anything" defies easy categorization. The opening track, "Soft as Snow (But Warm Inside)," immediately introduces listeners to the album's distinctive blend of distorted guitars and obscured vocals, a technique that would become a hallmark of shoegaze. This song, like many others on the album, showcases Kevin Shields' pioneering use of guitar effects, including reverse reverb and the "glide guitar" technique, which involves using the tremolo arm of the guitar to create a wavering, dreamlike quality.

The album's production, handled primarily by Shields and Colm Ó Cíosóig, plays a crucial role in its unique sound. The layers of guitars, often drenched in reverb and distortion, blend with Bilinda Butcher's and Shields' ethereal vocals, creating a soundscape that feels both intimate and expansive. This production approach, emphasizing texture and atmosphere over traditional rock structures, challenges conventional listening expectations and invites a more immersive, emotional engagement with the music.

Tracks like "Lose My Breath" and "All I Need" exemplify the album's ability to balance melody with noise, beauty with dissonance. "Lose My Breath," with its haunting vocal harmonies and swirling guitars, creates a sense of longing and ethereality, while "All I Need," driven by a more pronounced rhythm section, offers a glimpse of the band's ability to anchor their sonic explorations in compelling rhythms.

The influence of "Isn't Anything" extends beyond its immediate auditory impact. The album's approach to songwriting and production would become a blueprint for the shoegaze movement, inspiring a generation of bands to explore the possibilities of texture, tone, and atmosphere in rock music. Moreover, the album's embrace of ambiguity and emotional resonance over lyrical clarity and traditional song forms opened up new avenues for expression within the genre.

Critically, "Isn't Anything" was well-received, with many praising its innovative sound and the band's departure from the indie pop of their earlier releases. The album's standing has only grown over time, with its influence recognized in the development of alternative rock and indie music throughout the 1990s and beyond.

In retrospect, "Isn't Anything" stands as a seminal work that not only defined the contours of shoegaze but also challenged and expanded the boundaries of rock music. Its legacy is evident in the enduring popularity of shoegaze and the continued reverence for My Bloody Valentine as pioneers of a sound that remains as captivating and enigmatic today as it was over three decades ago.

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