Album Info
| Artist: | Primal Scream |
| Album: | Exterminator (XTRMNTR) |
| Released: | Europe, 16 May 2011 |
Tracklist:
| A1 | Kill All Hippies | 4:57 |
| Co-producer - Brendan Lynch | ||
| A2 | Accelerator | 3:41 |
| Mixed By - Kevin Shields | ||
| A3 | Exterminator | 5:49 |
| Co-producer - Brendan Lynch | ||
| B1 | Swastika Eyes (Jagz Kooner Mix) | 7:05 |
| Remix - Jagz Kooner | ||
| B2 | Pills | 4:17 |
| Mixed By - Dan The Automator | ||
| B3 | Blood Money | 7:03 |
| Co-producer - David Holmes | ||
| Mixed By - Phil Mossman | ||
| C1 | Keep Your Dreams | 5:24 |
| Co-producer - David Holmes | ||
| Mixed By - Phil Mossman | ||
| C2 | Insect Royalty | 3:35 |
| Co-producer - Hugo Nicolson | ||
| C3 | MBV Arkestra (If They Move Kill 'Em) | 6:41 |
| Mixed By - Kevin Shields | ||
| D1 | Swastika Eyes (Chemical Brothers Mix) | 6:33 |
| Remix - The Chemical Brothers | ||
| D2 | Shoot Speed / Kill Light | 5:19 |
| Producer - Kevin Shields, Tim Holmes |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times.
- If you order an in stock item together with a pre order or back order (listed as available from supplier rather than in stock) then the order will be shipped together when all items arrive. If you would like the in stock items shipped first please place two separate orders or contact us to arrange shipping items separately.
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
"Exterminator (XTRMNTR)" by Primal Scream, released in 2000, is a politically charged and sonically adventurous album that marked a significant departure from the band's earlier work. Known for their eclectic approach to music, Primal Scream embraced a more aggressive and electronic sound on "XTRMNTR," blending rock, electronic, and dub influences to create a visceral and confrontational listening experience. The album's themes of social and political unrest, combined with its experimental soundscapes, make it a standout release in Primal Scream's discography and a landmark album of the early 2000s.
The album opens with "Kill All Hippies," setting an aggressive tone with its driving beats, distorted bass, and Bobby Gillespie's sneering vocals. The track's mix of electronic and rock elements sets the stage for an album that refuses to adhere to any single genre, reflecting the band's diverse influences and their desire to push musical boundaries.
"Swastika Eyes" is one of the album's highlights, a relentless electronic track with a pulsating beat and politically charged lyrics that criticize corporate and governmental power structures. The song's intense energy and use of repetitive, hypnotic rhythms make it both a dancefloor filler and a provocative statement, showcasing Primal Scream's ability to combine political commentary with compelling music.
The title track, "Exterminator," further exemplifies the album's confrontational stance, with its abrasive sound and dystopian themes. The track's sonic experimentation, including the use of noise, feedback, and electronic manipulation, creates a chaotic and immersive soundscape that mirrors the album's apocalyptic visions.
"Accelerator" stands out as a more straightforward rock track, driven by a frenetic guitar riff and Gillespie's raw vocals. The song's breakneck pace and punk energy provide a contrast to the album's more electronic-oriented tracks, demonstrating Primal Scream's roots in rock and roll and their ability to incorporate a wide range of styles into their music.
The production of "XTRMNTR," overseen by a team of producers including Kevin Shields, David Holmes, and the band themselves, plays a crucial role in shaping the album's sound. The dense, layered production adds depth to the music, allowing the band to explore a variety of textures and sonic landscapes. The use of electronic elements, along with traditional rock instrumentation, creates a dynamic and multifaceted sound that is both challenging and engaging.
"XTRMNTR" concludes with "Shoot Speed/Kill Light," an exhilarating fusion of electronic and rock elements that encapsulates the album's themes of rebellion and liberation. The track's driving rhythm and soaring melodies provide a fitting end to an album that is unapologetically bold and uncompromising in its vision.
In retrospect, "Exterminator (XTRMNTR)" is a seminal work that reflects Primal Scream's evolution as a band and their engagement with the social and political issues of their time. The album's blend of electronic, rock, and dub elements, along with its confrontational lyrics and experimental production, make it a distinctive and influential release that continues to resonate with listeners.
In summary, "Exterminator (XTRMNTR)" stands as a powerful statement from Primal Scream, showcasing their willingness to experiment with sound and tackle complex themes. The album's aggressive energy and innovative approach to music make it a defining release of the early 2000s, capturing the spirit of an era marked by change and unrest.