Album Info
Artist: | Bruce Springsteen |
Album: | The Ghost Of Tom Joad |
Released: | Europe, 2018 |
Tracklist:
A1 | The Ghost Of Tom Joad | 4:23 |
Bass - Garry Tallent | ||
Drums - Gary Mallaber | ||
Keyboards - Danny Federici | ||
Pedal Steel Guitar - Marty Rifkin | ||
Vocals, Guitar, Harmonica - Bruce Springsteen | ||
A2 | Straight Time | 3:25 |
Bass - Jim Hanson | ||
Drums, Percussion - Gary Mallaber | ||
Keyboards - Danny Federici | ||
Pedal Steel Guitar - Marty Rifkin | ||
Violin - Soozie Tyrell | ||
Vocals, Guitar - Bruce Springsteen | ||
A3 | Highway 29 | 3:39 |
Vocals, Guitar, Keyboards - Bruce Springsteen | ||
A4 | Youngstown | 3:52 |
Bass - Jim Hanson | ||
Drums, Percussion - Gary Mallaber | ||
Keyboards - Chuck Plotkin | ||
Pedal Steel Guitar - Marty Rifkin | ||
Violin - Soozie Tyrell | ||
Vocals, Guitar - Bruce Springsteen | ||
A5 | Sinaloa Cowboys | 3:51 |
Vocals, Guitar, Keyboards - Bruce Springsteen | ||
A6 | The Line | 5:14 |
Vocals, Guitar, Keyboards - Bruce Springsteen | ||
B1 | Balboa Park | 3:19 |
Vocals, Guitar, Keyboards - Bruce Springsteen | ||
B2 | Dry Lightning | 3:30 |
Bass - Garry Tallent | ||
Drums - Gary Mallaber | ||
Keyboards - Danny Federici | ||
Violin - Soozie Tyrell | ||
Vocals, Guitar - Bruce Springsteen | ||
B3 | The New Timer | 5:45 |
Vocals, Guitar - Bruce Springsteen | ||
B4 | Across The Border | 5:24 |
Backing Vocals - Lisa Lowell, Patti Scialfa | ||
Bass - Jennifer Condos | ||
Drums - Gary Mallaber | ||
Keyboards, Accordion - Danny Federici | ||
Pedal Steel Guitar - Marty Rifkin | ||
Violin, Backing Vocals - Soozie Tyrell | ||
Vocals, Guitar, Harmonica - Bruce Springsteen | ||
B5 | Galveston Bay | 5:04 |
Vocals, Guitar, Keyboards - Bruce Springsteen | ||
B6 | My Best Was Never Good Enough | 2:00 |
Vocals, Guitar, Keyboards - Bruce Springsteen |
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Description
Bruce Springsteen's "The Ghost of Tom Joad," released on November 21, 1995, is a poignant and introspective album that marks a significant departure from the rock anthems that made him a household name. This album sees Springsteen returning to the acoustic, folk-inspired roots reminiscent of his earlier work on "Nebraska," and it is deeply influenced by the social and economic issues of the time.
The album's title and themes draw heavily from John Steinbeck's classic novel "The Grapes of Wrath," with Tom Joad being a central character who embodies the struggles of the working class during the Great Depression. Springsteen uses this historical context to comment on contemporary issues, painting vivid portraits of marginalized individuals and communities facing hardship and injustice.
Critically, "The Ghost of Tom Joad" was well-received, earning Springsteen a Grammy Award for Best Contemporary Folk Album in 1997. The album's stripped-down, acoustic sound was a stark contrast to the bombastic rock of "Born in the U.S.A.," and it showcased Springsteen's ability to tell compelling stories through his lyrics. The album's production, handled by Springsteen himself along with Chuck Plotkin, is minimalist, allowing the stories and characters to take center stage.
One of the standout tracks is the title song, "The Ghost of Tom Joad," which sets the tone for the entire album. The song's haunting melody and evocative lyrics capture the sense of despair and resilience that runs throughout the album. Another notable track is "Youngstown," which tells the story of a steelworker facing the decline of the American manufacturing industry. The song's powerful narrative and emotional depth make it one of the most memorable on the album.
"The Ghost of Tom Joad" also includes "Sinaloa Cowboys," a song that tells the story of two brothers caught up in the dangerous world of methamphetamine production. This track, like many others on the album, highlights Springsteen's ability to weave complex, human stories into his music, giving voice to those often overlooked by society.
The album's reception by major publications was generally positive, with Rolling Stone praising its "quiet, haunting beauty" and its focus on "the forgotten Americans." Critics appreciated Springsteen's commitment to addressing social issues through his music, even if it meant stepping away from the commercial success of his previous albums.
In terms of cultural significance, "The Ghost of Tom Joad" is often seen as a reflection of the socio-political climate of the mid-1990s, a time when America was grappling with issues of economic disparity and social justice. Springsteen's decision to focus on these themes resonated with listeners who were experiencing similar struggles, and the album has since been regarded as an important work in his discography.
Overall, "The Ghost of Tom Joad" is a testament to Bruce Springsteen's storytelling prowess and his dedication to using music as a means of social commentary. While it may not have achieved the same level of commercial success as some of his earlier albums, its impact and relevance continue to be felt, making it a significant and enduring piece of his musical legacy.