Album Info
Artist: | Bruce Springsteen |
Album: | Wrecking Ball |
Released: | Europe, Mar 2012 |
Tracklist:
A1 | We Take Care Of Our Own | 3:53 |
Backing Vocals - Lisa Lowell, Patti Scialfa, Soozie Tyrell | ||
Strings - New York Chamber Consort | ||
A2 | Easy Money | 3:36 |
Arranged By [Vocal Arrangement] - Patti Scialfa | ||
Backing Vocals - Antoinette Savage, Corinda Carford, Lilly Brown, Lisa Lowell, Michelle Moore , Patti Scialfa, Soloman Cobbs, Soozie Tyrell, Tiffeny Andrews | ||
Percussion - Steve Jordan | ||
Violin - Soozie Tyrell | ||
A3 | Shackled And Drawn | 3:46 |
Accordion, Piano, Organ [Hammond B-3] - Charlie Giordano | ||
Alto Horn, Euphonium - Dan Levine | ||
Backing Vocals - Cindy Mizelle, Clif Norrell, Lisa Lowell, Patti Scialfa, Ron Aniello, Ross Peterson, Soozie Tyrell | ||
Clarinet, Alto Saxophone, Tenor Saxophone - Stan Harrison | ||
Drums, Percussion - Matt Chamberlain | ||
Euphonium, Tuba, Sousaphone, Tin Whistle [Penny Whistle] - Art Baron | ||
Guitar, Bass, Keyboards, Drums, Loops - Ron Aniello | ||
Tenor Saxophone, Baritone Saxophone - Ed Manion | ||
Trombone - Clark Gayton | ||
Trumpet, Cornet - Curt Ramm | ||
Violin - Soozie Tyrell | ||
B1 | Jack Of All Trades | 5:59 |
Alto Horn, Euphonium - Dan Levine | ||
Clarinet, Alto Saxophone, Tenor Saxophone - Stan Harrison | ||
Electric Guitar - Tom Morello | ||
Euphonium, Tuba, Sousaphone, Tin Whistle [Penny Whistle] - Art Baron | ||
Strings - New York Chamber Consort | ||
Tenor Saxophone, Baritone Saxophone - Ed Manion | ||
Trombone - Clark Gayton | ||
Trumpet, Cornet - Curt Ramm | ||
Violin - Soozie Tyrell | ||
B2 | Death To My Hometown | 3:28 |
Accordion, Piano, Organ [Hammond B-3] - Charlie Giordano | ||
Backing Vocals - Clif Norrell, Kevin Buell, Rob Lebret, Ron Aniello, Ross Peterson | ||
Drums - Kevin Buell | ||
Drums, Percussion - Matt Chamberlain | ||
Euphonium, Tuba, Sousaphone, Tin Whistle [Penny Whistle] - Art Baron | ||
Guitar, Bass, Keyboards, Drums, Loops - Ron Aniello | ||
Violin - Soozie Tyrell | ||
B3 | This Depression | 4:07 |
Arranged By [Vocal Arrangement] - Patti Scialfa | ||
Backing Vocals - Lisa Lowell, Patti Scialfa, Soozie Tyrell | ||
Electric Guitar - Tom Morello | ||
Violin - Soozie Tyrell | ||
C1 | Wrecking Ball | 5:49 |
Accordion, Piano, Organ [Hammond B-3] - Charlie Giordano | ||
Backing Vocals - Clif Norrell, Lisa Lowell, Patti Scialfa, Rob Lebret, Ross Peterson, Soozie Tyrell | ||
Drums - Max Weinberg | ||
Electric Guitar - Rob Lebret | ||
Saxophone [Solos], Soloist - Clarence Clemons | ||
Strings - New York Chamber Consort | ||
Trumpet, Cornet - Curt Ramm | ||
Violin - Soozie Tyrell | ||
C2 | You've Got It | 3:48 |
Alto Horn, Euphonium - Dan Levine | ||
Backing Vocals - Clif Norrell, Rob Lebret, Ron Aniello, Ross Peterson | ||
Banjo, Mandola, Lap Steel Guitar - Greg Leisz | ||
Clarinet, Alto Saxophone, Tenor Saxophone - Stan Harrison | ||
Drums, Percussion - Matt Chamberlain | ||
Guitar, Bass, Keyboards, Drums, Loops - Ron Aniello | ||
Pedal Steel Guitar - Marc Muller | ||
Tenor Saxophone, Baritone Saxophone - Ed Manion | ||
Trombone - Clark Gayton | ||
Trumpet, Cornet - Curt Ramm | ||
C3 | Rocky Ground | 4:40 |
Accordion, Piano, Organ [Hammond B-3] - Charlie Giordano | ||
Alto Horn, Euphonium - Dan Levine | ||
Backing Vocals - Michelle Moore , Victorious Gospel Choir | ||
Clarinet, Alto Saxophone, Tenor Saxophone - Stan Harrison | ||
Euphonium, Tuba, Sousaphone, Tin Whistle [Penny Whistle] - Art Baron | ||
Tenor Saxophone, Baritone Saxophone - Ed Manion | ||
Trombone - Clark Gayton | ||
Trumpet, Cornet - Curt Ramm | ||
D1 | Land Of Hope And Dreams | 6:58 |
Accordion, Piano, Organ [Hammond B-3] - Charlie Giordano | ||
Backing Vocals - Lisa Lowell, Michelle Moore , Patti Scialfa, Soozie Tyrell, Victorious Gospel Choir | ||
Clarinet, Alto Saxophone, Tenor Saxophone - Stan Harrison | ||
Euphonium, Tuba, Sousaphone, Tin Whistle [Penny Whistle] - Art Baron | ||
Saxophone [Solos], Soloist - Clarence Clemons | ||
Tenor Saxophone, Baritone Saxophone - Ed Manion | ||
Trombone - Clark Gayton | ||
Trumpet, Cornet - Curt Ramm | ||
Violin - Soozie Tyrell | ||
D2 | We Are Alive | 5:36 |
Accordion, Piano, Organ [Hammond B-3] - Charlie Giordano | ||
Backing Vocals - Patti Scialfa | ||
Banjo, Mandola, Lap Steel Guitar - Greg Leisz | ||
Drums - Max Weinberg | ||
Trumpet, Bass Trumpet - Darrell Leonard | ||
Violin - Soozie Tyrell | ||
CD1 | We Take Care Of Our Own | 3:53 |
CD2 | Easy Money | 3:36 |
CD3 | Shackled And Drawn | 3:46 |
CD4 | Jack Of All Trades | 5:59 |
CD5 | Death To My Hometown | 3:28 |
CD6 | This Depression | 4:07 |
CD7 | Wrecking Ball | 5:49 |
CD8 | You've Got It | 3:48 |
CD9 | Rocky Ground | 4:40 |
CD10 | Land Of Hope And Dreams | 6:58 |
CD11 | We Are Alive | 5:36 |
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Description
Bruce Springsteen's "Wrecking Ball," released on March 6, 2012, is a powerful and poignant album that captures the spirit of resilience and defiance in the face of economic hardship. This album, Springsteen's 17th studio effort, is often hailed for its raw energy and its blend of rock, folk, and gospel influences, which together create a sound that is both familiar and refreshingly new.
The album was produced by Ron Aniello with Springsteen himself, and it features a mix of the E Street Band members and other musicians. Notably, "Wrecking Ball" was the last album to feature Clarence Clemons, the legendary saxophonist of the E Street Band, who passed away in 2011. His contributions to the album, especially on tracks like "Land of Hope and Dreams," add a layer of emotional depth and nostalgia.
"Wrecking Ball" was released during a time of significant economic turmoil in the United States, and its themes reflect the struggles and frustrations of the working class. Springsteen's lyrics are sharp and incisive, addressing issues such as unemployment, corporate greed, and the loss of the American dream. The title track, "Wrecking Ball," originally written in 2009 for the demolition of Giants Stadium, serves as a metaphor for resilience and the enduring spirit of those who refuse to be defeated.
One of the standout tracks on the album is "We Take Care of Our Own," which opens the album with a driving beat and an anthemic chorus. The song was nominated for a Grammy Award for Best Rock Performance and Best Rock Song, highlighting its critical acclaim and resonance with listeners. Its lyrics question the notion of American solidarity, asking whether the country truly takes care of its own in times of need.
Another notable track is "Jack of All Trades," a somber ballad that tells the story of a man trying to make ends meet in a world that seems to have turned its back on him. The song's slow, deliberate pace and haunting melody underscore the desperation and determination of its protagonist.
Critics generally praised "Wrecking Ball" for its bold themes and Springsteen's passionate delivery. Rolling Stone's David Fricke described the album as "the most despairing, confrontational, and musically turbulent album Bruce Springsteen has ever made," while also noting its hopeful undertones. The album debuted at number one on the Billboard 200 chart, further cementing Springsteen's status as a voice of the people.
In terms of production, "Wrecking Ball" incorporates a variety of musical styles, from the Celtic influences on "Death to My Hometown" to the gospel-infused "Rocky Ground." This eclectic mix of sounds reflects Springsteen's ability to draw from diverse musical traditions to create something uniquely his own.
Springsteen has often spoken about the inspiration behind "Wrecking Ball," citing the economic struggles faced by many Americans as a driving force behind the album's creation. In interviews, he has expressed his desire to give voice to those who feel marginalized and forgotten, using his music as a platform to address social and political issues.
Overall, "Wrecking Ball" is a testament to Bruce Springsteen's enduring relevance and his ability to capture the zeitgeist of a nation in turmoil. Its blend of powerful lyrics, diverse musical influences, and emotional depth make it a standout album in Springsteen's illustrious career. Whether you're a longtime fan or new to his music, "Wrecking Ball" offers a compelling listening experience that resonates with the struggles and hopes of everyday people.