Album Info
| Artist: | Emerson Lake & Palmer |
| Album: | Welcome Back, My Friends, To The Show That Never Ends - Ladies And Gentlemen |
| Released: | UK, 2016 |
Tracklist:
| A1 | Hoedown (Taken From Rodeo) | |
| Arranged By - Emerson, Lake & Palmer | ||
| Written-By - Aaron Copland | ||
| A2 | Jerusalem | |
| Arranged By - Emerson, Lake & Palmer | ||
| Lyrics By - Blake | ||
| Music By - Parry | ||
| A3 | Toccata (An Adaption Of Ginastera's 1st Piano Concerto, 4th Movement) | |
| Arranged By - Keith Emerson | ||
| Percussion [Movement] - Carl Palmer | ||
| Written-By - Ginastera | ||
| Tarkus | ||
| B1 | Eruption | |
| Written-By - Emerson | ||
| B2 | Stones Of Years | |
| Written-By - Emerson, Lake | ||
| B3 | Iconoclast | |
| Written-By - Emerson | ||
| B4 | Mass | |
| Written-By - Emerson, Lake | ||
| B5 | Manticore | |
| Written-By - Emerson | ||
| B6 | Battlefield (Including Epitaph) | |
| Written-By - Lake | ||
| C1 | Aquatarkus (Conclusion) | |
| Written-By - Emerson | ||
| C2 | Take A Pebble (Including Still... You Turn Me On And Lucky Man) | |
| Written-By - Lake | ||
| D1 | Piano Improvisations (Including Friedrich Gulda's 'Fugue' And Joe Sullivan's Little Rock Getaway) | |
| Written-By - Friedrich Gulda, Joe Sullivan, Emerson | ||
| D2 | Take A Pebble (Conclusion) | |
| Written-By - Lake | ||
| D3 | Jeremy Bender / The Sheriff (Medley) | |
| Written-By - Lake, Emerson | ||
| Karn Evil 9 | ||
| E11 | 1st Impression | |
| Lyrics By - Lake, Sinfield | ||
| Music By - Emerson | ||
| F12 | 2nd Impression | |
| Written-By - Emerson | ||
| F13 | 3rd Impression | |
| Written-By - Emerson, Lake, Sinfield |
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Description
Emerson, Lake & Palmer's live album "Welcome Back, My Friends, to the Show That Never Ends – Ladies and Gentlemen" is a monumental testament to the band's virtuosity and their ability to captivate audiences with their intricate compositions and dynamic performances. Released in August 1974, this triple LP captures the essence of ELP's live energy during their 1973–1974 world tour, specifically showcasing their performances from the "Brain Salad Surgery" tour.
The album's title, derived from the opening line of "Karn Evil 9: First Impression, Part 2", sets the stage for the grandiose and theatrical experience that follows. ELP was known for their ambitious blending of rock, classical, and jazz influences, and this live recording exemplifies their ability to translate their complex studio work into a live setting without losing any of its intricacy or impact.
One of the standout aspects of this album is its raw and unfiltered nature. Unlike many live albums of the era, "Welcome Back, My Friends" was not heavily overdubbed or polished in post-production. This decision gives the recording an authentic feel, allowing listeners to experience the music as it was performed, complete with the occasional imperfections that come with live performance. This authenticity is part of what makes the album so compelling.
The tracklist is a journey through some of ELP's most iconic works. The album opens with "Hoedown", a lively and energetic piece that immediately sets the tone for the performance. The rendition of "Tarkus" is a highlight, showcasing the band's technical prowess and their ability to navigate complex musical landscapes with ease. The inclusion of the full "Karn Evil 9" suite is a bold move, but one that pays off, as it allows the band to fully explore the epic's themes and musical motifs in a live context.
Keith Emerson's keyboard work is nothing short of extraordinary throughout the album. His use of the Moog synthesizer, Hammond organ, and piano demonstrates his versatility and innovation as a musician. Greg Lake's vocals and bass playing provide a strong foundation, while Carl Palmer's drumming is both precise and explosive, driving the music forward with relentless energy.
The album was well-received upon its release, reaching number 4 on the US Billboard 200 chart and solidifying ELP's reputation as one of the premier live acts of the 1970s. Its success is a testament to the band's ability to connect with their audience and deliver performances that are both technically impressive and emotionally engaging.
"Welcome Back, My Friends, to the Show That Never Ends" is more than just a live album; it's a snapshot of a band at the height of their powers, pushing the boundaries of what rock music could be. For fans of progressive rock, it remains an essential listen, offering a glimpse into the artistry and ambition that defined Emerson, Lake & Palmer's music.
