Album Info
| Artist: | The Alan Parsons Project |
| Album: | I Robot |
| Released: | Europe, 15 Oct 2013 |
Tracklist:
| A1 | I Robot | 6:02 |
| Arranged By [Choir], Conductor - Andrew Powell | ||
| Bass - David Paton | ||
| Chorus - The English Chorale | ||
| Chorus Master [Choirmaster] - Bob Howes | ||
| Cimbalom, Kantele - John Leach | ||
| Clavinet - Eric Woolfson | ||
| Drums - Stuart Tosh | ||
| Guitar - Ian Bairnson | ||
| Programmed By [Projectron, Synthi-A] - Alan Parsons | ||
| Soprano Vocals - Hilary Western | ||
| Synthesizer [Yamaha Cs10] - Duncan Mackay | ||
| Written-By - Alan Parsons, Eric Woolfson | ||
| A2 | I Wouldn't Want To Be Like You | 3:22 |
| Bass - David Paton | ||
| Drums - Stuart Tosh | ||
| Guitar - Ian Bairnson | ||
| Keyboards - Eric Woolfson | ||
| Vocals - Lenny Zakatek | ||
| Written-By - Alan Parsons, Eric Woolfson | ||
| A3 | Some Other Time | 4:06 |
| Acoustic Guitar - David Paton, Ian Bairnson | ||
| Arranged By [Orchestra], Conductor - Andrew Powell | ||
| Backing Vocals - John Perry , Stuart Salver, Tony Rivers | ||
| Bass - David Paton | ||
| Drums - Stuart Tosh | ||
| Mellotron [Projectron] - Alan Parsons | ||
| Piano, Clavinet - Eric Woolfson | ||
| Vocals - Jaki Whitren, Peter Straker | ||
| Written-By - Alan Parsons, Eric Woolfson | ||
| A4 | Breakdown | 3:52 |
| Acoustic Guitar - Alan Parsons, Ian Bairnson | ||
| Arranged By [Orchestra, Choir], Conductor - Andrew Powell | ||
| Bass - David Paton | ||
| Choir - The New Philharmonia Chorus | ||
| Drums - Stuart Tosh | ||
| Electric Piano [Wurlitzer] - Eric Woolfson | ||
| Guitar - Ian Bairnson | ||
| Mellotron [Projectron] - Alan Parsons | ||
| Synthesizer - Duncan Mackay | ||
| Vocals - Allan Clarke | ||
| Written-By - Alan Parsons, Eric Woolfson | ||
| A5 | Don't Let It Show | 4:24 |
| Arranged By [Orchestra], Conductor - Andrew Powell | ||
| Bass - David Paton | ||
| Drums, Percussion - Stuart Tosh | ||
| Guitar - Ian Bairnson | ||
| Organ - Eric Woolfson | ||
| Piccolo Trumpet - John Wallace | ||
| Vocals - Dave Townsend | ||
| Written-By - Alan Parsons, Eric Woolfson | ||
| B1 | The Voice | 5:23 |
| Arranged By [Orchestra], Conductor - Andrew Powell | ||
| Bass - David Paton | ||
| Drums, Percussion - Stuart Tosh | ||
| Guitar - Ian Bairnson | ||
| Keyboards - Eric Woolfson | ||
| Mellotron [Projectron], Vocoder - Alan Parsons | ||
| Vocals - Steve Harley | ||
| Written-By - Alan Parsons, Eric Woolfson | ||
| B2 | Nucleus | 3:22 |
| Bass - David Paton | ||
| Chorus - The English Chorale | ||
| Chorus Master [Choirmaster] - Bob Howes | ||
| Cimbalom, Zither [Kantele] - John Leach | ||
| Drums, Gong [Water Gongs] - Stuart Tosh | ||
| Guitar - Ian Bairnson | ||
| Keyboards - Duncan Mackay, Eric Woolfson | ||
| Loops [Tape Loops], Mellotron [Projectron], Effects - Alan Parsons | ||
| Written-By - Alan Parsons, Eric Woolfson | ||
| B3 | Day After Day (The Show Must Go On) | 3:57 |
| Backing Vocals - Alan Parsons, David Paton, Eric Woolfson, Ian Bairnson, Jack Harris | ||
| Bass - David Paton | ||
| Drums - Stuart Tosh | ||
| Guitar - Ian Bairnson | ||
| Organ [Hammond] - Andrew Powell | ||
| Pedal Steel Guitar - B.J. Cole | ||
| Piano [Jangle Piano] - Eric Woolfson | ||
| Sequenced By [Synthi-A] - Alan Parsons | ||
| Vocals - Jack Harris | ||
| Written-By - Alan Parsons, Eric Woolfson | ||
| B4 | Total Eclipse | 3:12 |
| Arranged By [Orchestra, Choir], Conductor - Andrew Powell | ||
| Chorus - The English Chorale | ||
| Chorus Master [Choirmaster] - Bob Howes | ||
| Written-By - Andrew Powell | ||
| B5 | Genesis Ch.1 V.32 | 3:29 |
| Acoustic Guitar - David Paton, Ian Bairnson | ||
| Arranged By [Orchestra, Choir], Conductor - Andrew Powell | ||
| Backing Vocals - John Perry , Stuart Salver, Tony Rivers | ||
| Bass - David Paton | ||
| Choir - The New Philharmonia Chorus | ||
| Chorus Master [Choirmaster] - Bob Howes | ||
| Drums - Stuart Tosh | ||
| Guitar - Ian Bairnson | ||
| Keyboards - Duncan Mackay, Eric Woolfson | ||
| Written-By - Alan Parsons, Eric Woolfson | ||
| C1 | U.S Radio Commercial For I Robot | 1:01 |
| C2 | Boules (I Robot Experiment) | 1:59 |
| C3 | I Robot (Hilary Western Soprano Vocal Rehearsal) | 1:33 |
| Soprano Vocals - Hilary Western | ||
| C4 | Extract 1 From The Alan Parsons Project Audio Guide | 1:04 |
| C5 | Extract 2 From The Alan Parsons Project Audio Guide | 0:57 |
| C6 | I Wouldn't Want To Be Like You (Backing Track Rough Mix) | 3:29 |
| C7 | Some Other Time (Complete Vocal By Jaki Whitren) | 3:43 |
| Vocals - Jaki Whitren | ||
| C8 | Breakdown (Early Demo Of Backing Riff) | 2:09 |
| C9 | Extract 3 From The Alan Parsons Project Audio Guide | 0:31 |
| C10 | Breakdown (The Choir) | 1:51 |
| D1 | Don't Let It Show (Eric Woolfson Demo) | 3:26 |
| D2 | Day After Day (Early Stage Rough Mix) | 3:38 |
| D3 | Genesis Ch. 1 V. 32 (Choir Session) | 2:18 |
| D4 | The Naked Robot | 10:20 |
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Description
"The Alan Parsons Project's "I Robot," released in 1977, is a concept album that explores themes of artificial intelligence and the impact of technology on humanity. Drawing inspiration from Isaac Asimov's science fiction stories, the album combines progressive rock with elements of classical and symphonic music, showcasing the Project's signature blend of intricate compositions, lush orchestration, and sophisticated production. "I Robot" stands as one of The Alan Parsons Project's most acclaimed works, celebrated for its ambitious scope, thematic coherence, and musical innovation.
The title track, "I Robot," sets an atmospheric tone for the album with its instrumental arrangement that builds from a haunting synth melody to a complex, layered piece featuring a blend of electronic and acoustic instruments. The track's cinematic quality and thematic motifs introduce the album's exploration of the relationship between humans and machines.
"Breakdown" is a standout track that combines rock elements with orchestral arrangements, featuring a memorable melody and poignant lyrics that address themes of isolation and the loss of individuality in the face of technological advancement. The song's dynamic shifts and emotive vocal performance highlight the band's ability to convey complex themes through accessible and engaging music.
"Don't Let It Show" is a more introspective piece, characterized by its lush harmonies and Alan Parsons' production prowess. The track's reflective lyrics and melodic arrangement showcase the band's talent for crafting emotionally resonant songs within the framework of a concept album.
"The Voice" continues the album's exploration of technology and control, with its spoken word segments and electronic effects creating a sense of unease that complements the album's overarching narrative. The song's integration of rock and electronic elements exemplifies The Alan Parsons Project's innovative approach to music-making.
The production of "I Robot," led by Alan Parsons and Eric Woolfson, is notable for its clarity, depth, and attention to detail. The album's use of synthesizers, orchestral arrangements, and studio effects contributes to its distinctive sound, which combines the best of progressive rock and classical music influences.
In conclusion, "I Robot" is a seminal album that captures The Alan Parsons Project's creativity, musicality, and conceptual ambition. The album's exploration of the impact of technology on society, combined with its rich musical tapestry, makes it a compelling listen and a key work in the band's discography. "I Robot" remains a landmark in the progressive rock genre, celebrated for its thematic depth, innovative sound, and enduring influence on subsequent generations of musicians.
