Album Info
Artist: | Taylor Swift |
Album: | Reputation |
Released: | USA & Europe, 8 Dec 2017 |
Tracklist:
A1 | ...Ready For It? | |
Backing Vocals - Taylor Swift | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Keyboards - Ali Payami, Max Martin, Shellback | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Ali Payami, Max Martin, Shellback | ||
Written-By - Ali Payami, Max Martin, Shellback , Taylor Swift | ||
A2 | End Game | |
Bass - Shellback | ||
Drums - Shellback | ||
Engineer - Michael Ilbert, Sam Holland, Seth Ferkins | ||
Engineer [Assisted By] - Cory Bice, Daniel Watson , Jeremy Lertola, Mike Synphony, Peter Karlsson, Sean Flora | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Featuring - Ed Sheeran, Future | ||
Keyboards - Max Martin, Shellback | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Max Martin, Shellback | ||
Producer [Additional Vocal Production] - Ilya | ||
Written-By - Ed Sheeran, Max Martin, Nayvadius Wilburn, Shellback , Taylor Swift | ||
A3 | I Did Something Bad | |
Engineer - Michael Ilbert, Sam Holland | ||
Engineer [Assisted By] - Cory Bice, Jeremy Lertola | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Keyboards - Max Martin, Shellback | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Max Martin, Shellback | ||
Written-By - Max Martin, Shellback , Taylor Swift | ||
A4 | Don't Blame Me | |
Backing Vocals - Max Martin, Taylor Swift | ||
Bass - Shellback | ||
Drums - Shellback | ||
Engineer - Michael Ilbert, Sam Holland | ||
Engineer [Assisted By] - Cory Bice, Jeremy Lertola | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Guitar - Shellback | ||
Keyboards - Max Martin, Shellback | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Piano - Max Martin | ||
Producer - Max Martin, Shellback | ||
Written-By - Max Martin, Shellback , Taylor Swift | ||
B5 | Delicate | |
Engineer - Michael Ilbert, Sam Holland | ||
Engineer [Assisted By] - Cory Bice, Jeremy Lertola | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Keyboards - Max Martin, Shellback | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Piano - Max Martin | ||
Producer - Max Martin, Shellback | ||
Written-By - Max Martin, Shellback , Taylor Swift | ||
B6 | Look What You Made Me Do | |
Cello - Phillip A. Peterson | ||
Engineer - Laura Sisk | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Jack Antonoff, Taylor Swift | ||
Saxophone - Evan Smith | ||
Violin - Victoria Parker | ||
Written-By - Fred Fairbrass, Jack Antonoff, Richard Fairbrass, Rob Manzoli, Taylor Swift | ||
B7 | So It Goes... | |
Engineer - Michael Ilbert, Sam Holland | ||
Engineer [Assisted By] - Cory Bice, Jeremy Lertola | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Keyboards - Max Martin, Oscar Görres, Shellback | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Piano - Oscar Görres | ||
Producer - Max Martin, Oscar Görres, Shellback | ||
Written-By - Max Martin, Oscar Görres, Shellback , Taylor Swift | ||
B8 | Gorgeous | |
Engineer - Michael Ilbert, Sam Holland | ||
Engineer [Assisted By] - Cory Bice, Jeremy Lertola | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Guitar - Shellback | ||
Keyboards - Max Martin, Shellback | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Max Martin, Shellback | ||
Voice [Baby Intro Voice] - James Reynolds | ||
Written-By - Max Martin, Shellback , Taylor Swift | ||
C9 | Getaway Car | |
Cello - Phillip A. Peterson | ||
Drums - Sean Hutchinson | ||
Engineer - Laura Sisk | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Jack Antonoff, Taylor Swift | ||
Violin - Victoria Parker | ||
Written-By - Jack Antonoff, Taylor Swift | ||
C10 | King Of My Heart | |
Backing Vocals - Taylor Swift | ||
Bass - Shellback | ||
Drums - Shellback | ||
Engineer - Michael Ilbert, Noah Passovoy, Sam Holland | ||
Engineer [Assisted By] - Cory Bice, Jeremy Lertola, Jon Sher | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Keyboards - Max Martin, Shellback | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Max Martin, Shellback | ||
Written-By - Max Martin, Shellback , Taylor Swift | ||
C11 | Dancing With Our Hands Tied | |
Engineer - Michael Ilbert, Sam Holland | ||
Engineer [Assisted By] - Cory Bice, Jeremy Lertola | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Keyboards - Max Martin, Oscar Holter, Shellback | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Max Martin, Oscar Holter, Shellback | ||
Written-By - Max Martin, Oscar Holter, Shellback , Taylor Swift | ||
C12 | Dress | |
Engineer - Laura Sisk | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Jack Antonoff, Taylor Swift | ||
Written-By - Jack Antonoff, Taylor Swift | ||
D13 | This Is Why We Can't Have Nice Things | |
Cello - Phillip A. Peterson | ||
Engineer - Laura Sisk | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Jack Antonoff, Taylor Swift | ||
Violin, Viola - Victoria Parker | ||
Written-By - Jack Antonoff, Taylor Swift | ||
D14 | Call It What You Want | |
Engineer - Laura Sisk | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Producer - Jack Antonoff, Taylor Swift | ||
Written-By - Jack Antonoff, Taylor Swift | ||
D15 | New Year’s Day | |
Engineer - Laura Sisk | ||
Engineer [Engineered For Mix By] - John Hanes | ||
Mastered By - Randy Merrill | ||
Mixed By - Serban Ghenea | ||
Piano, Guitar, Bass, Synth - Jack Antonoff | ||
Producer - Jack Antonoff, Taylor Swift | ||
Written-By - Jack Antonoff, Taylor Swift |
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Description
Taylor Swift's sixth studio album, "Reputation," released in 2017, marked a significant departure from her previous sound and image. With a more mature and edgier approach, Swift aimed to shed her innocent girl-next-door persona and embrace a darker, more complex side of her artistry. The album received mixed reviews upon its release, but it undoubtedly showcased Swift's growth as an artist and her ability to experiment with different musical styles.
"Reputation" opens with the explosive lead single, "Look What You Made Me Do." The song sets the tone for the album, with its bold and confrontational lyrics, accompanied by a catchy and infectious pop beat. Swift's vocals are strong and confident, showcasing her growth as a singer. The track's production is slick and polished, incorporating elements of electronic and trap music, which was a departure from her usual country-pop sound.
The album continues with tracks like "End Game," featuring Ed Sheeran and Future, and "I Did Something Bad." These songs further establish the album's darker and more mature tone, with their heavy beats and introspective lyrics. Swift's songwriting shines through, as she delves into themes of love, betrayal, and self-reflection. The production on these tracks is layered and intricate, incorporating elements of hip-hop and R&B, showcasing Swift's willingness to experiment with different genres.
One of the standout tracks on "Reputation" is "Delicate." This song sees Swift at her most vulnerable, as she sings about the uncertainty and fragility of a new relationship. The stripped-down production allows her vocals to take center stage, and the heartfelt lyrics resonate with listeners. "Delicate" showcases Swift's ability to craft emotionally resonant songs that connect with her audience on a personal level.
Another notable track is "Getaway Car," a catchy and infectious pop song that tells the story of a doomed love affair. The song's production is reminiscent of '80s synth-pop, with its pulsating beats and catchy melodies. Swift's storytelling abilities shine through, as she paints a vivid picture of a relationship on the brink of collapse.
While "Reputation" received some criticism for its departure from Swift's previous sound, it is undeniable that the album showcased her growth as an artist. The album's production is top-notch, with contributions from hitmakers such as Max Martin and Shellback, as well as Swift herself. The incorporation of different musical styles, from pop to hip-hop, demonstrates Swift's willingness to push boundaries and experiment with her sound.
Lyrically, "Reputation" explores themes of love, fame, and the complexities of relationships. Swift's songwriting is introspective and honest, allowing listeners to glimpse into her personal life and experiences. The album's title, "Reputation," serves as a reflection of Swift's own journey in the public eye and her desire to reclaim her narrative.
In conclusion, Taylor Swift's "Reputation" is a bold and ambitious album that showcases her growth as an artist. While it may have divided critics and fans, there is no denying the album's impact and the evolution of Swift's sound. With its catchy hooks, introspective lyrics, and polished production, "Reputation" solidifies Swift's place as one of the most influential pop artists of her generation.