Album Info
Artist: | Neil Young |
Album: | Freedom |
Released: | Worldwide, 4 Oct 2024 |
Tracklist:
A1 | Rockin' In The Free World | 3:38 |
Guitar, Harmonica, Vocals - Neil Young | ||
Recorded By, Mixed By - Dave Hewitt | ||
A2 | Crime In The City (Sixty To Zero Part 1) | 8:45 |
Alto Saxophone - Ben Keith | ||
Baritone Saxophone - Larry Cragg | ||
Bass - Rick "The Bass Player" Rosas | ||
Drums - Chad Cromwell | ||
Engineer [Second Engineers] - Brently Walton, Gary Long, Tim McColm | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals - Neil Young | ||
Mixed By - Neil Young, Niko Bolas | ||
Recorded By - Niko Bolas | ||
Tenor Saxophone [Lead Tenor Saxophone] - Steve Lawrence | ||
Trombone - Claude Cailliet | ||
Trumpet - John Fumo, Tom Bray | ||
A3 | Don't Cry | 4:14 |
Bass - Rick "The Bass Player" Rosas | ||
Drums - Chad Cromwell | ||
Engineer [Second Engineer] - Dary Sulich | ||
Guitar, Vocals - Neil Young | ||
Mixed By - Neil Young, Niko Bolas | ||
Recorded By - Niko Bolas | ||
B1 | Hangin' On A Limb | 4:18 |
Guitar, Vocals - Neil Young | ||
Mixed By - Neil Young, Niko Bolas | ||
Recorded By - Tim Mulligan | ||
Vocals - Linda Ronstadt | ||
B2 | Eldorado | 6:03 |
Acoustic Guitar - Poncho Villa | ||
Bass - Rick "The Bass Player" Rosas | ||
Drums - Chad Cromwell | ||
Engineer [Second Engineer] - Dary Sulich | ||
Guitar, Vocals - Neil Young | ||
Mixed By - Neil Young, Niko Bolas | ||
Recorded By - Niko Bolas | ||
B3 | The Ways Of Love | 4:29 |
Bass - Rick "The Bass Player" Rosas | ||
Drums - Chad Cromwell | ||
Engineer [Second Engineers] - Alan Abrahamson, Brently Walton, Tim McColm | ||
Guitar, Vocals - Neil Young | ||
Keyboards - Frank "Poncho" Sampedro | ||
Mixed By - Neil Young, Niko Bolas | ||
Pedal Steel Guitar - Ben Keith | ||
Recorded By - Niko Bolas | ||
Vocals - Linda Ronstadt | ||
C1 | Someday | 5:40 |
Alto Saxophone - Ben Keith | ||
Baritone Saxophone - Larry Cragg | ||
Bass - Rick "The Bass Player" Rosas | ||
Drums - Chad Cromwell | ||
Engineer [Second Engineers] - Bob Vogt, Brently Walton, Gary Long, Tim McColm | ||
Guitar, Vocals - Neil Young | ||
Keyboards - Frank "Poncho" Sampedro | ||
Mixed By - Neil Young, Niko Bolas | ||
Recorded By - Niko Bolas | ||
Tenor Saxophone [Lead Tenor Saxophone] - Steve Lawrence | ||
Trombone - Claude Cailliet | ||
Trumpet - John Fumo, Tom Bray | ||
C2 | On Broadway | 4:57 |
Bass - Rick "The Bass Player" Rosas | ||
Drums - Chad Cromwell | ||
Engineer [Second Engineer] - Dary Sulich | ||
Guitar, Vocals - Neil Young | ||
Mixed By - Neil Young, Niko Bolas | ||
Recorded By - Niko Bolas | ||
Written-By - Barry Mann, Cynthia Weil, Jerry Leiber, Mike Stoller | ||
C3 | Wrecking Ball | 5:08 |
Bass - Rick "The Bass Player" Rosas | ||
Drums - Chad Cromwell | ||
Engineer [Second Engineer] - Dary Sulich | ||
Guitar, Vocals - Neil Young | ||
Mixed By - Neil Young, Niko Bolas | ||
Recorded By - Niko Bolas | ||
D1 | No More | 6:03 |
Acoustic Guitar - Frank "Poncho" Sampedro | ||
Bass - Rick "The Bass Player" Rosas, Tony Marsico | ||
Drums - Chad Cromwell | ||
Engineer [Second Engineers] - Alan Abrahamson, Brently Walton, Tim McColm | ||
Guitar, Vocals - Neil Young | ||
Keyboards - Ben Keith | ||
Mixed By - Neil Young, Niko Bolas | ||
Recorded By - Niko Bolas | ||
D2 | Too Far Gone | 2:47 |
Bass - Rick "The Bass Player" Rosas | ||
Drums - Chad Cromwell | ||
Engineer [Second Engineers] - Alan Abrahamson, Brently Walton, Tim McColm | ||
Guitar, Vocals - Neil Young | ||
Mandolin - Frank "Poncho" Sampedro | ||
Mixed By - Neil Young, Niko Bolas | ||
Pedal Steel Guitar, Vocals - Ben Keith | ||
Recorded By - Niko Bolas | ||
D3 | Rockin' In The Free World | 4:41 |
Bass - Rick "The Bass Player" Rosas | ||
Drums - Chad Cromwell | ||
Engineer [Second Engineers] - Alan Abrahamson, Brently Walton, Tim McColm | ||
Guitar, Vocals - Frank "Poncho" Sampedro, Neil Young | ||
Keyboards - Ben Keith | ||
Mixed By - Neil Young, Niko Bolas | ||
Recorded By - Niko Bolas |
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Description
Neil Young's album "Freedom" was released on October 2, 1989, and it marked a significant moment in his career, often seen as a comeback after a series of less commercially successful albums in the 1980s. This album is particularly notable for its raw energy and the way it blends various musical styles, showcasing Young's versatility as an artist.
One of the standout tracks on "Freedom" is "Rockin' in the Free World," which bookends the album with both an acoustic and an electric version. This song became an anthem of sorts, capturing the political and social unrest of the time with its biting lyrics and powerful guitar riffs. It's a track that has endured over the years, often cited as one of Young's most iconic songs.
The album itself received critical acclaim upon its release. Rolling Stone praised it for its "uncompromising vision" and "emotional depth," while other publications highlighted Young's return to form. The album's mix of rock, folk, and grunge elements was seen as a precursor to the grunge movement that would explode in the early 1990s, with Young earning the nickname "The Godfather of Grunge."
"Freedom" also features other memorable tracks like "Crime in the City (Sixty to Zero Part I)" and "Don't Cry," which showcase Young's storytelling prowess and his ability to convey complex emotions through his music. The production of the album is notable for its stripped-down, raw sound, which was a deliberate choice by Young to capture the immediacy and intensity of his live performances.
In terms of cultural significance, "Freedom" came at a time when the world was witnessing significant political changes, such as the fall of the Berlin Wall. Young's music resonated with the spirit of change and the desire for freedom, making the album not just a collection of songs, but a reflection of the era's zeitgeist.
The album did well commercially, reaching number 35 on the Billboard 200 chart, and it helped to re-establish Young's presence in the music industry. It also paved the way for his subsequent albums in the 1990s, which continued to explore similar themes and musical styles.
Overall, "Freedom" is a testament to Neil Young's enduring talent and his ability to adapt and remain relevant in a rapidly changing musical landscape. It's an album that not only captures a moment in time but also continues to resonate with listeners today, thanks to its powerful messages and timeless sound.