Album Info
Record Store Day 2024 Australian Vinyl Release
This vinyl record will be available to buy online from 9am on Monday 22nd April. It will be first come first serve and there is a maximum purchase limit of one record per release (you can buy as many records as you want but not multiples of the same record) and there are no holds.
| Artist: | George Harrison |
| Album: | Electronic Sound (Zoetrope VINYL) |
| Released: | April 20, 2024 |
Tracklist:
| A | Under The Mersey Wall | 18:40 |
| Recorded By [With The Assistance Of] - Rupert And Jostick The Siamese Twins | ||
| B | No Time Or Space | 25:05 |
| Performer [Assisted By] - Bernie Krause |
PLEASE NOTE: Information provided on this page about this specific Record Store Day release including tracklists and any images may be incomplete or inaccurate as not all information is available about the final release at this stage. We will continue to update this page as more information becomes available closer to Record Store Day about the specific vinyl releases.
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $125 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times.
- If you order an in stock item together with a pre order or back order (listed as available from supplier rather than in stock) then the order will be shipped together when all items arrive. If you would like the in stock items shipped first please place two separate orders or contact us to arrange shipping items separately.
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Details
Genre(s): |
Electronic, Noise, Experimental, Abstract |
Format: |
Vinyl Record LP |
Description
PLEASE NOTE: The following album review is general information about the original record release and may not be releveant to this specfic vinyl release for Record Store Day 2024.
"Electronic Sound," released in 1969, is an experimental album that marks George Harrison's foray into the avant-garde world of electronic music. As one of the first solo projects by a member of The Beatles, this album occupies a unique place in the history of popular music, not just for its celebrity creator but for its pioneering content. The album comprises two lengthy pieces, "Under the Mersey Wall" and "No Time or Space," created using a Moog synthesizer, one of the earliest and most influential electronic instruments.
"Under the Mersey Wall," the first track, is a complex tapestry of electronic sound, weaving together a series of oscillations, beeps, and sweeps that might seem meandering to the uninitiated. However, upon closer examination, Harrison's composition reveals a thoughtful exploration of texture and timbre. The piece doesn't follow conventional musical structures; instead, it invites listeners into an immersive auditory experience, challenging them to find beauty and meaning in what might initially appear to be cacophony.
The second piece, "No Time or Space," was recorded in Los Angeles with the assistance of Bernie Krause, a pioneer in electronic music. This track is somewhat more structured than the first, with discernible phases and a clearer sense of direction. It's speculated that Krause's influence helped shape this track into a more cohesive piece, though it remains deeply experimental. The soundscape created is both alien and strangely familiar, evoking distant galaxies as much as the depths of the human psyche.
Despite its innovative nature, "Electronic Sound" received mixed reviews upon its release. Critics and fans accustomed to Harrison's work with The Beatles found the album challenging, as it lacked traditional songs, melodies, or lyrics. However, over time, the album has garnered a cult following, particularly among enthusiasts of electronic and experimental music. It's seen as a bold statement by Harrison, stepping away from the comfort zone of pop-rock to explore new artistic territories.
The album also serves as a historical artifact, capturing a moment when electronic music was in its infancy. The Moog synthesizer, though now revered for its rich, analog tones, was a novel and somewhat unwieldy instrument at the time. Harrison's engagement with this technology not only reflects his personal curiosity but also anticipates the broader integration of electronic elements in popular music.
In retrospect, "Electronic Sound" can be appreciated for its adventurous spirit. While it may not be the easiest entry point for fans of Harrison's more conventional work, it offers a fascinating glimpse into the experimental side of a musician best known for his contributions to the pop and rock canon. The album stands as a testament to Harrison's willingness to take risks and his desire to push the boundaries of his creative expression.
In conclusion, "Electronic Sound" is not just an album but a piece of musical exploration. Its value lies not in catchy tunes or lyrical depth but in its audacity and its role in the evolution of music technology. For those willing to approach it with an open mind, it offers a unique and rewarding listening experience.
