Album Info
| Artist: | Milt Jackson & Ray Brown |
| Album: | Montreux '77 |
| Released: | Australia, 1989 |
Tracklist:
| A1 | Slippery | 12:00 |
| A2 | A Beautiful Friendship | 8:10 |
| A3 | Mean To Me | 4:34 |
| B1 | You Are My Sunshine | 11:19 |
| B2 | C.M.J. | 13:00 |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
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Description
"Milt Jackson & Ray Brown - Montreux '77" captures a vibrant snapshot of two jazz giants performing live at the Montreux Jazz Festival in 1977. This album is a treasure trove for jazz enthusiasts, showcasing the remarkable interplay between Milt Jackson's vibraphone and Ray Brown's bass, both of whom were pivotal figures in the development of modern jazz.
Recorded on July 14, 1977, the album features a lineup that also includes Eddie "Lockjaw" Davis on tenor saxophone, Monty Alexander on piano, and Mickey Roker on drums. This ensemble of seasoned musicians delivers a performance that is both dynamic and nuanced, making it a standout recording from the festival that year.
The album kicks off with the energetic "Slippery," where the group sets a lively pace. Jackson's mastery of the vibraphone is on full display, offering a crystal-clear tone and fluid improvisations that weave seamlessly with Brown's robust bass lines. Ray Brown, known for his precise timing and rich, melodic playing, complements Jackson's leads perfectly, creating a rhythmic backbone that drives the ensemble.
One of the highlights of the album is their rendition of "You Are My Sunshine." This track transforms the familiar tune into a complex jazz number, featuring an inspired solo by Monty Alexander that brings a fresh zest to the classic song. The chemistry among the musicians is palpable, with each soloist adding their unique flavor while maintaining a cohesive sound.
The track "SKJ" stands out for its bluesy vibe and showcases Jackson and Brown's ability to communicate deeply through their instruments. Here, the dialogue between the vibraphone and the bass is particularly compelling, demonstrating their mutual understanding and respect, which likely stemmed from their long-standing musical relationship (both were founding members of the Modern Jazz Quartet).
Critical reception of the album was generally positive, with critics praising the live recording for its authenticity and the palpable energy of the performance. The album not only captures the essence of a live jazz show but also serves as a testament to the enduring talent of its performers. The Montreux Jazz Festival, known for bringing together some of the biggest names in jazz, provided the perfect backdrop for this recording, adding to its historical and cultural significance.
Production-wise, the album benefits from a clear and balanced mix, allowing each instrument's voice to be heard without overpowering the others. This is crucial in a live jazz setting, where the spontaneity and nuances of the performance are essential elements of the listening experience.
In terms of accolades, while this particular album may not have garnered specific awards, both Milt Jackson and Ray Brown had illustrious careers filled with numerous honors. Their performance at Montreux '77 is a reflection of their status as jazz legends and their contribution to the genre.
Overall, "Milt Jackson & Ray Brown - Montreux '77" is a compelling listen for anyone interested in jazz. It not only showcases the technical prowess of its performers but also captures the spontaneous joy of a live jazz concert. Whether you're a longtime jazz aficionado or a newcomer to the genre, this album offers a delightful glimpse into the artistry of two of jazz's most revered musicians.
