Album Info
Artist: | Various |
Album: | No Nukes - From The Muse Concerts For A Non-Nuclear Future |
Released: | Australia, 1979 |
Tracklist:
A1 | The Doobie Brothers - Dependin' On You | |
Bass - Tiran Porter | ||
Drums - Chet McCracken, Keith Knudsen | ||
Guitar - John McFee, Patrick Simmons | ||
Organ, Saxophone - Cornelius Bumpus | ||
Percussion - Ted Templeman | ||
Vocals, Keyboards - Michael McDonald | ||
Written-By - M. McDonald, P. Simmons | ||
A2 | Bonnie Raitt - Runaway | |
Bass, Vocals - Freebo | ||
Drums - Dennis Whitted | ||
Guitar - John Hall | ||
Guitar, Vocals - Bonnie Raitt, Will McFarlane | ||
Piano - Bill Payne | ||
Vocals - Rosemary Butler | ||
Written-By - D. Shannon, M. Crook | ||
A3 | Bonnie Raitt - Angel From Montgomery | |
Bass, Vocals - Freebo | ||
Drums - Dennis Whitted | ||
Guitar, Vocals - Bonnie Raitt, Will McFarlane | ||
Organ - John Hall | ||
Piano - Bill Payne | ||
Vocals - Rosemary Butler | ||
Written-By - John Prine | ||
A4 | John Hall - Plutonium Is Forever | |
Drums - Chris Parker | ||
Guitar, Vocals - John Hall | ||
Keyboards - Louis Levin | ||
Percussion - Jody Linscott | ||
Saxophone - Josh Schneider | ||
Vocals - Lynn Pitney, Phillip Ballou | ||
Written-By - Johanna Hall, John Hall | ||
A5 | The Doobie Brothers With John Hall & James Taylor - Power | |
Backing Vocals - Bonnie Raitt, Brenda Eager, Carly Simon, Doug Haywood, Graham Nash, Jackson Browne, John Hall, Nicolette Larson, Rosemary Butler | ||
Bass - Tiran Porter | ||
Drums - Chet McCracken, Keith Knudsen | ||
Guitar - Patrick Simmons | ||
Organ, Saxophone - Cornelius Bumpus | ||
Pedal Steel Guitar - John McFee | ||
Percussion - Ted Templeman | ||
Vocals, Keyboards - Michael McDonald | ||
Written-By - Johanna Hall, John Hall | ||
B1 | James Taylor , Carly Simon & Graham Nash - The Times They Are A-Changin' | |
Guitar, Vocals - James Taylor | ||
Keyboards - Don Grolnick | ||
Vocals - Carly Simon, Graham Nash | ||
Written-By - Bob Dylan | ||
B2 | Graham Nash - Cathedral | |
Acoustic Guitar - David Lindley | ||
Bass - Tim Drummond | ||
Drums - Russ Kunkel | ||
Organ, Synthesizer - Craig Doerge | ||
Percussion - Jody Linscott | ||
Piano, Vocals - Graham Nash | ||
Vocals - Brenda Eager, Cleo Kennedy, Gloria Coleman | ||
Written-By - Graham Nash | ||
B3 | Jackson Browne & Graham Nash - The Crow On The Cradle | |
Fiddle - David Lindley | ||
Guitar, Vocals - Jackson Browne | ||
Synthesizer - Craig Doerge | ||
Vocals - Graham Nash | ||
Written-By - Sydney Carter | ||
B4 | Jackson Browne - Before The Deluge | |
Bass - Bob Glaub | ||
Drums - Russ Kunkel | ||
Fiddle - David Lindley | ||
Organ, Synthesizer [String] - Craig Doerge | ||
Percussion - Jody Linscott | ||
Piano, Vocals - Jackson Browne | ||
Vocals - Doug Haywood, Rosemary Butler | ||
Written-By - Jackson Browne | ||
C1 | Nicolette Larson & The Doobie Brothers - Lotta Love | |
Bass - Tiran Porter | ||
Drums - Chet McCracken, Keith Knudsen | ||
Guitar - John McFee | ||
Guitar, Vocals - Patrick Simmons | ||
Keyboards, Vocals - Michael McDonald | ||
Organ, Saxophone - Cornelius Bumpus | ||
Percussion - Ted Templeman | ||
Vocals - Nicolette Larson | ||
Written-By - Neil Young | ||
C2 | Ry Cooder - Little Sister | |
Bass - Tim Drummond | ||
Drums - Jim Keltner | ||
Guitar - David Lindley | ||
Guitar, Vocals - Ry Cooder | ||
Organ - William Smith | ||
Percussion - Ross BaBu | ||
Vocals - Bobbie King, Herman Johnson | ||
Written-By - D. Pomus, M. Shuman | ||
C3 | Sweet Honey In The Rock - A Woman | |
Vocals - Bernice Johnson, Yasmeen Williams, Evelyn Harris, Tulani Jordan | ||
Written-By - C. Brooks, P. Johnson | ||
C4 | Gil Scott-Heron - We Almost Lost Detroit | |
Bass - Robert Gordon | ||
Drums - Tony Green | ||
Guitar - Ed Brady | ||
Horns, Piano, Flute - Carl Cornwell | ||
Keyboards, Vocals - Gil Scott-Heron | ||
Written-By - G. Scott-Heron | ||
C5 | Jesse Colin Young - Get Together | |
Backing Vocals - Doug Haywood, Graham Nash, Jackson Browne, Rosemary Butler, Suzi Young | ||
Bass - Bob Glaub | ||
Drums - Russ Kunkel | ||
Guitar - Steve Beckmeyer | ||
Guitar, Vocals - Jesse Colin Young, Will McFarlane | ||
Organ - Craig Doerge | ||
Piano - Jef Labes | ||
Written-By - Chet Powers | ||
D1 | Raydio - You Can't Change That | |
Bass, Vocals - Ray Parker, Jr. | ||
Drums, Vocals - Larry Tolbert | ||
Guitar, Vocals - Charles Fearing | ||
Piano, Vocals - Darren Carmichael | ||
Synthesizer, Vocals - Arnell Carmichael | ||
Written-By - Ray Parker Jr. | ||
D2 | Chaka Khan - Once You Get Started | |
Backing Vocals - Charlotte Crossley | ||
Bass - Anthony Jackson | ||
Bass, Backing Vocals - Mark Stevens | ||
Drums - Steve Ferrone | ||
Guitar - Jeff Mironov, Phil Upchurch | ||
Guitar, Backing Vocals - Hamish Stewart | ||
Keyboards - Arthur Jenkins | ||
Synthesizer [Cat] - Ken Bichell | ||
Vocals - Chaka Khan | ||
Written-By - G. Christopher, T. Maiden | ||
D3 | James Taylor - Captain Jim's Drunken Dream | |
Drums - Russ Kunkel | ||
Guitar - Waddy Wachtel | ||
Guitar, Vocals - James Taylor | ||
Piano - Don Grolnick | ||
Written-By - James Taylor | ||
D4 | James Taylor - Honey Don't Leave L.A. | |
Backing Vocals - Arnold McCuller, David Lasley | ||
Bass - Leland Sklar | ||
Drums - Russ Kunkel | ||
Guitar - Danny Kortchmar, Waddy Wachtel | ||
Guitar, Vocals - James Taylor | ||
Keyboards - Don Grolnick | ||
Percussion - Rick Marotta | ||
Saxophone - David Sanborn | ||
Written-By - Danny Kortchmar | ||
D5 | James Taylor & Carly Simon - Mockingbird | |
Backing Vocals - Arnold McCuller, David Lasley | ||
Bass - Leland Sklar | ||
Drums - Russ Kunkel | ||
Guitar - Danny Kortchmar, Waddy Wachtel | ||
Guitar, Vocals - James Taylor | ||
Keyboards - Don Grolnick | ||
Saxophone - David Sanborn | ||
Vocals - Carly Simon | ||
Written-By - Inez And Charlie Foxx | ||
E1 | Poco - Heart Of The Night | |
Bass, Vocals - Charlie Harrison | ||
Drums - Steve Chapman | ||
Keyboards, Vocals - Kim Bullard | ||
Lead Guitar, Rhythm Guitar - Paul Cotton | ||
Pedal Steel Guitar - Rusty Young | ||
Saxophone - Phill Kenzie | ||
Written-By - Paul Cotton | ||
E2 |
DescriptionThe album "No Nukes - From The Muse Concerts For A Non-Nuclear Future" was released on September 21, 1979. This live album captures the essence of a pivotal moment in music history, as it features performances from the legendary 1979 concerts organized by Musicians United for Safe Energy (MUSE). The concerts were held at Madison Square Garden in New York City and aimed to raise awareness about the dangers of nuclear energy, a pressing issue during the late 1970s, especially in the wake of the Three Mile Island accident in 1979. The album is a delightful mix of rock and folk, showcasing some of the biggest names in music at the time, including Bruce Springsteen, Jackson Browne, Bonnie Raitt, and Tom Petty. Each artist brought their unique style to the stage, creating a powerful and memorable experience that resonates even today. The performances are not just about the music; they are infused with a sense of urgency and activism that reflects the concerns of the era. One of the standout tracks on the album is Bruce Springsteen's "Stayin' Alive," which is a cover of the Bee Gees' classic but transformed into a rock anthem that captures the spirit of the movement. Springsteen's passionate delivery and the energy of the crowd make it a highlight. Another notable performance is Jackson Browne's "Running on Empty," which perfectly encapsulates the themes of the concerts—both the struggles of the present and the hope for a better future. The critical reception of the album was generally positive, with many reviewers praising the performances and the cause behind the concerts. Major publications like Rolling Stone highlighted the album's significance, not just as a collection of great music but as a historical document of a time when artists used their platforms to advocate for social change. The album also received nominations for various awards, reflecting its impact and the quality of the performances. Interestingly, the concerts were not just about music; they were a gathering of artists who were deeply concerned about the future of the planet. Many of the performers shared personal anecdotes about their motivations for participating. For instance, Bonnie Raitt spoke about her upbringing and how her parents instilled in her a sense of responsibility towards social issues. This personal connection to the cause added depth to the performances, making them more than just entertainment. The production of the album is noteworthy as well. It was produced by a team that included the legendary producer and engineer, John Alagia, who has worked with many iconic artists. The live recordings capture the raw energy of the performances, making listeners feel as if they were right there in the audience, experiencing the magic firsthand. In terms of cultural significance, "No Nukes" stands as a testament to the power of music as a tool for activism. It reminds us that artists can play a crucial role in raising awareness about important issues. The album has been referenced in discussions about the intersection of music and social justice, and it continues to inspire new generations of musicians and activists alike. Overall, "No Nukes - From The Muse Concerts For A Non-Nuclear Future" is more than just a live album; it is a powerful reminder of a time when music and activism went hand in hand. The performances are stellar, the message is clear, and the historical context adds layers of meaning that make this album a must-listen for anyone interested in the role of music in social change. Whether you're a fan of rock, folk, or simply appreciate the power of music to inspire action, this album is a significant piece of history that deserves a place in your collection. Product Reviews |