Mac Miller - The Divine Feminine (2LP)

As a way to illustrate the sincerity implied in its title, The Divine Feminine begins and ends with the voices of women. Ariana Grande introduces Mac Miller's first Warner Bros. release, and in its conclusion, Miller's grandmother details with fondness the history of her relationship with her husband. In between the two tracks, to the point of compulsion, Miller frequently notes his aptitude in the bedroom and his insatiable appetite therein, or wherever else the mood strikes. Crass as it frequently is, the bulk of the album nonetheless has more to do with loving relationships than most releases from the manchild R&B classes of 2011-2016. Miller even sings a higher percentage of his words in his limited and sincere drawl, rhapsodizing "You just don't know how beautiful you are" on "My Favorite Part," a clean duet with new flame Grande that sounds like it could be an Anthony Hamilton cover. Miller's producers are in accordance with all the lovestruck sentiments. They outfit the songs with twirling strings, punching horns, and lively pianos, the last of which is provided by Robert Glasper on the woozy, Kendrick Lamar-assisted "God Is Fair, Sexy, Nasty." In the dazed but laser-focused ballad "Skin," there's a recurring impassioned saxophone line, and at one point it punctuates Miller's purr of "I open up your legs and go straight for your heart." The album's first half is highlighted by another Anderson Paak collaboration, "Dang!," a sharp hybrid of horn-flecked funk and spangly house. It's surpassed during the second half by the combination of "Soulmate," a sticky/slippery D?m-Funk production, and "We," a beatific mellow groove elevated by the harmonious voices of CeeLo Green and Thundercat. At all times, Miller and his associates are on the same page. Another aspect that makes this the rapper's most fulfilling album is that all the lines about being saved and in awe seem to be expressed with as much ease as the anatomical references, like they're plain facts, not wrenching confessions. ~ Andy Kellman

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"The Divine Feminine" by Mac Miller is an album that beautifully showcases the late artist's evolution and versatility. Released on September 16, 2016, this album marked a significant departure from Mac's earlier work, diving deep into themes of love, intimacy, and spirituality. It's a lush, jazzy exploration of romance and relationships, wrapped in a smooth, soulful sound that feels both timeless and fresh.

One of the most striking aspects of "The Divine Feminine" is its production. Mac Miller, along with producers like Frank Dukes and DJ Dahi, crafted a soundscape that is rich and layered, incorporating elements of jazz, funk, and R&B. The album features a host of talented collaborators, including Anderson .Paak, Ty Dolla $ign, and even a surprise appearance by Kendrick Lamar on the track "God is Fair, Sexy Nasty." Each guest artist brings their unique flavor to the project, enhancing Mac's vision without overshadowing it.

The album opens with "Congratulations," a track that sets the tone with its dreamy piano and orchestral arrangements. It's a fitting introduction to an album that feels like a love letter, not just to a romantic partner, but to the concept of love itself. Mac's lyrics throughout the album are introspective and poetic, reflecting a maturity and depth that had been hinted at in his previous work but fully realized here.

"Dang!" featuring Anderson .Paak is undoubtedly one of the standout tracks. It's an infectious, upbeat song that deals with the complexities of a relationship on the rocks. Anderson .Paak's smooth vocals complement Mac's laid-back delivery perfectly, creating a track that's both catchy and meaningful. The song received critical acclaim and was a commercial success, further cementing Mac's ability to craft hits that resonate with a wide audience.

Another highlight is "Cinderella," featuring Ty Dolla $ign. This nearly nine-minute track is an epic journey through the highs and lows of love, with Ty Dolla $ign's soulful voice adding an extra layer of emotion. The song's length allows it to breathe and evolve, showcasing Mac's willingness to experiment and push boundaries.

Critically, "The Divine Feminine" was well-received, with many praising Mac Miller's artistic growth and the album's cohesive sound. Publications like Pitchfork and Rolling Stone highlighted the album's ambitious scope and Mac's ability to blend genres seamlessly. It was seen as a bold step forward for Mac, who was often pigeonholed as a frat-rap artist in his early career.

In terms of cultural significance, "The Divine Feminine" stands out as a testament to Mac Miller's talent and his ability to connect with listeners on a personal level. The album's exploration of love and vulnerability resonated with fans and critics alike, showcasing a side of Mac that was both relatable and aspirational.

Tragically, Mac Miller passed away in 2018, making "The Divine Feminine" one of the last projects released during his lifetime. In retrospect, the album is often seen as a pivotal moment in his career, a time when he was truly coming into his own as an artist. It's a reminder of his potential and the impact he had on the music world.

Overall, "The Divine Feminine" is a beautiful, heartfelt album that captures the essence of Mac Miller's artistry. It's an album that invites listeners to reflect on love in all its forms, and it does so with grace and sincerity. Whether you're a longtime fan or new to Mac's music, "The Divine Feminine" is a must-listen, offering a glimpse into the mind of an artist who was taken from us far too soon.